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IN SUCH GOOD COMPANY

ELEVEN YEARS OF LAUGHTER, MAYHEM, AND FUN IN THE SANDBOX

An entertaining if somewhat overly anecdotal look back at a beloved weekly variety series.

The TV legend reflects on her eponymous variety series.

When the Carol Burnett Show premiered on CBS in 1967, it was the heyday for variety shows, which mixed sketch comedy with musical performances and were a staple on network TV. Though several shows from that era enjoyed high ratings for a few seasons, such as Rowan & Martin’s Laugh-In, the Smothers Brothers Comedy Hour, and the Glen Campbell Show, Burnett’s (This Time Together: Laughter and Reflection, 2010, etc.) series remained an audience favorite for an unprecedented 11 years, winning multiple Emmy awards along the way and continuing in syndication ever since. In this light, behind-the-scenes memoir, the author pays tribute to the many talented individuals responsible for the show’s enduring success, including the writers, musicians, designers, technicians, and, perhaps most significantly, her team of weekly performers and big-name celebrity guest stars. She additionally shares some of the hilarious impromptu moments on the set and sheds light on the many memorable sketches, including the movie parodies that have become classic TV. In brief, occasionally disjointed chapters, Burnett provides fascinating glimpses of the vigorous demands involved with producing her show, eventually summarizing why such shows are regretfully no longer produced on the same scale. “Sadly, variety shows like ours have gone the way of the dodo bird,” she writes. “A variety show today can never duplicate what we did. Why? Money. The cost of clearing the songs and music would sink the Titanic. Sixty to seventy costumes a week? No way. A twenty-eight piece orchestra? Twelve dancers? A rep company of five? Six to eight sketches a show? Major guest stars? Block the entire show and rehearse with the orchestra in one day? The following day tape the whole shebang in two hours? Dream on.”

An entertaining if somewhat overly anecdotal look back at a beloved weekly variety series.

Pub Date: Sept. 13, 2016

ISBN: 978-1-101-90465-7

Page Count: 320

Publisher: Crown Archetype

Review Posted Online: June 10, 2016

Kirkus Reviews Issue: July 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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