Expatriate American literati and the heavyweights of psychoanalysis collide in this spirited novel set in the dreamy streets of fin de siäcle Vienna—the latest extravaganza from Hill (The Eleven Million Mile High Dancer, 1985, etc.). Edith Wharton is trying to save Henry James from Sigmund Freud in one of the many paths taken by this complex mystery tale. Believing the doctor's theories on the childhood origins of female hysteria to be so much poppycock, Mrs. Wharton inadvertently finds herself in the middle of a serial killer's rampage, which has the anti-Semites of Vienna, who believe the murders to be Jewish ritual killings, in an uproar. A famous detective is summoned from Paris when the home of Dr. Freud becomes the latest murder site and the situation becomes critical: the corpse has disappeared. The father of psychoanalysis, the formidable Mrs. Wharton, and the faltering Henry James, who feels guilty that a dear friend in Venice has killed herself, all become suspects, along with the beautiful Countess von Gerzl, with whom the debonair Inspector promptly begins a passionate affair. Add to this cast of luminaries a visiting all-American family, cousins of the Countess, which consists of thoroughly middle-class parents, three precocious adolescents, and their radically feminist aunt, and cameo appearances by Jung and his most famous patient, Sabina Spielrein, and the narrative becomes busy indeed—so much so that the threat represented by the murderer as he stalks the Inspector seems merely an afterthought. Rich and flavorful, with the period's ferment of ideas ably represented—but largely lacking the essential dramatic ingredients on which the whodunit depends.
Pub Date: Aug. 31, 1993
ISBN: 0-671-75575-7
Page Count: 576
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1993
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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