Interesting, long-repressed tales from a humble man relieved not to “have to remember anymore.”
A veteran remembers his small part in great events of the Pacific War.
Escaping a struggling Arkansas farm family, 16-year-old Ray Daves joined the Civilian Conservation Corps, and in 1939, after lying about his age, the Navy. During the next six years, advancing in rank at nearly every stop, he served as a radioman aboard many vessels and at a variety of land stations including Cold Bay and Kodiak, Ala., where he flew some search-and-destroy missions and observed the uneasy alliance between the Soviets and the Americans; Gulfport, Miss., where he celebrated V-J Day; and the Naval Research Laboratory in Washington, then hard at work on part of the Manhattan Project. The heart of this memoir, however, is his eyewitness report of combat, first at Pearl Harbor, where he suffered a shrapnel wound, and then at the Battles of the Coral Sea and Midway, where he survived the torpedoing of the Yorktown. For most of us, these signal events have been quietly committed to history. For Daves, the odor of burnt human flesh and the image of an onrushing Japanese pilot continue to haunt. Daves’s incident-filled career included brushes with fame—actor John Wayne, concert violinist Yehudi Menuhin, Admiral Chester Nimitz—and a prolonged and long-distance courtship of the girl to whom he remains married. A kind of one-man Rosencrantz and Guildenstern, Daves seems to understand and appreciate the minor role he played in momentous events. He still mourns the many friends lost in battle and, at this late stage in life, has finally been persuaded to speak in detail about his war. Hipperson (The Belly Gunner, 2001, etc.) smartly stays out of the way, basing her text on extensive interviews with her subject and adopting a first-person narration that permits Daves to emerge as the authentic voice and hero—a tag he would vigorously reject—of this straightforward, unassuming story.
Interesting, long-repressed tales from a humble man relieved not to “have to remember anymore.”Pub Date: Oct. 28, 2008
ISBN: 978-0-312-38694-8
Page Count: 304
Publisher: Dunne/Minotaur
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2008
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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