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ALL THE PRESIDENTS' WORDS

THE BULLY PULPIT AND THE CREATION OF THE VIRTUAL PRESIDENCY

Gelderman (English/Univ. of New Orleans) departs from her usual genre of biography (Henry Ford, 1980; Mary McCarthy, 1988) in this thesis-driven history of speechwriting in the White House. The first half of her thesis—that presidents until Richard Nixon utilized a cadre of policymakers to double as speechwriters, thus uniting speechwriting with policy—is strong. Gelderman shows that, with varying degrees of effectiveness, presidents created policy through the speechwriting process itself, often taking months to draft their most famous words. The process was collegial, as with Eisenhower's ``Wheaties'' group, which drafted policy over breakfast every day. But with Nixon, media image, not substance, became the goal of the presidency. Nixon crafted his controversial speeches in isolation and kept key policy advisors in the dark. Gelderman's argument deteriorates in its post-Nixon passages. She identifies Nixon's heir as Ronald Reagan, which seems an odd choice, given Nixon's reputation as a workaholic who alienated his colleagues and Reagan's as a 9-to-5er who was content to let his aides do the work. The common ground, according to Gelderman, is the ``virtual presidency'': that is, the central importance to both leaders of image-crafting and the power of television. Gelderman claims that the reliance on TV has divorced policy from speechwriting and reduced the latter to the art of crafting attractive soundbites. But to prove this, she relies almost exclusively on foreign-policy issues, with little attention to domestic programs. She also shortchanges the Ford, Carter, and Bush administrations; Carter felt dishonest using speechwriters and wrote complex speeches. The author ultimately argues that Clinton is returning to the old marriage of speechwriting and policy (though here she bases her argument almost entirely on domestic issues, such as his masterful handling of the tragedy in Oklahoma City). An unfocused and unconvincing ending after a promising start.

Pub Date: March 1, 1997

ISBN: 0-8027-1318-1

Page Count: 240

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1997

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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