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DISPATCHES FROM MOSCOW

SPIES AND LIES

From the Iron Curtain Chronicles series , Vol. 1

This Cold War–era romance lacks some heat, but the plot provides enough interest to soldier on.

An American journalist documents the final years of the Soviet Union in Williams’ first historical thriller in a series.

In 1986, Natalie Chester lands her dream assignment for the American News Agency bureau in Moscow. Her first few months are marked by problems: Her boss, Max, doesn’t seem to support her, and the Soviet government’s tight restrictions lead her into trouble more than once. Early on, Natalie receives news of a seemingly minor accident at a nuclear reactor. While writing a perfunctory newswire item on the story, she fails to recognize the vast significance of the event, and Max is furious when more circumstances of the Chernobyl tragedy come to light. Natalie soon focuses her attention on human-interest stories of Russian Jews attempting to immigrate to Israel, Soviet tourists in Crimea, and the return of an exiled political dissident to Moscow. After accidentally trespassing at a military installation, Natalie evades prison time with the help of Anatoly “Tolya” Vladimirovich, a new deputy foreign minister. Natalie and Tolya are immediately drawn to each other and begin a secret romance. As she builds her career as a foreign correspondent and Tolya attempts to make changes in the government, their relationship faces continual challenges. Williams draws on her own experiences as a foreign correspondent for this novel, writing from a place of authenticity in a setting of historic upheaval. Natalie is a likable if somewhat naïve protagonist; her unshakable idealism is appealing but also makes her prone to misunderstandings and arrests. The love story between Natalie and Tolya is sweet but often feels rushed. Williams glides along the surface of Tolya’s character, never giving readers enough information about him to make him truly engaging. Still, this setting feels timely, and the inclusion of secret listening devices, codes, and spies enlivens the story.

This Cold War–era romance lacks some heat, but the plot provides enough interest to soldier on.

Pub Date: April 24, 2026

ISBN: 9781965766590

Page Count: 340

Publisher: Stoney Creek Publishing

Review Posted Online: April 20, 2026

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THE MUNICH AFFAIR

A novel that’s lacking both as fiction and history.

The latest Patterson co-write dramatizes unproven rumors that Adolf Hitler shot and killed his 23-year-old half niece, Geli Raubal, in Munich in 1931 in a fit of jealousy.

As with other young women in his past, Hitler essentially kept Raubal captive and forced her to participate in perverse sexual rituals with him. The murder occurs after she tells him she’s leaving Munich for Vienna to be with a man she intends to marry. (Fictional) police detective Thomas Bauer, a war hero whose wife and children are Jewish, risks his life over and over to nail Hitler for the crime (which is ruled a suicide) as the fascist state evolves and concentration camp horrors unfold. Periodically, the action shifts to the present, when in brief superfluous scenes an American professor, Eleanor Robbins, is mysteriously targeted for her efforts to obtain films of Hitler’s final moments with Raubal. The portrayal of Hitler is so caricatured that he casts a thin shadow here—as do the evil trio of Goebbels, Himmler, and Göring—depriving the story of urgency. The authors are more comfortable offsetting sobering, dutifully rolled out facts about Hitler’s rise and fall with breezy entertainment. Bauer, a master of the wisecrack, teams up with a young former intelligence officer in buddy-movie fashion. In one of this overlong novel’s best scenes, Raubal—the subject of much better novels, including Ron Hansen’s Hitler’s Niece (1999)—goes to a nightclub with Hitler; once there, he nudges her into showing off her vocal skills, only to have her ruffle his insecurities by stealing attention. In the end, Robbins pronounces, “Everything that happened…could have been prevented, if honest people had been allowed to simply do their jobs.” Fat chance of that.

A novel that’s lacking both as fiction and history.

Pub Date: Sept. 21, 2026

ISBN: 9780316404099

Page Count: 528

Publisher: Little, Brown

Review Posted Online: July 20, 2026

Kirkus Reviews Issue: Aug. 15, 2026

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THE LAST LADY B

A lively, quirky gothic romance for readers who like ghost stories as much as love stories.

The fourth wife of a dreadful lord finds intrigue in the Scottish Highlands.

Nobody wants Genevieve to marry Lord Burnsby, “England’s most boring peer.” He’s almost 70 and has three dead (possibly murdered) wives in his past. But Evie isn’t looking for love; she’s just looking for some stability at her “august age” of 25 and a dowry for her younger sister. Through their hasty wedding and long trek north to his estate in Scotland, she’s determined to make the best of it—until they arrive at the dreary, cold abbey where he resides. Lord Burnsby, it turns out, has been keeping his mistress there, and generally terrorizing everyone around him. Evie also meets the handsome Sir Godric Everley, a lawyer friend of Burnsby’s heir, whom she initially counts as another villain but soon discovers is surprisingly interesting and kind. Faced with a situation for which her years of perfect behavior have left her utterly unprepared, Evie realizes she will have to take charge even if it means acting unladylike. And though her growing confidence brings many good things to the abbey and its residents, it also brings danger, as Evie and Godric begin to uncover decades of secrets. This historical romance is technically a Regency, but more than anything, it’s a gothic tale. Told in the first person from Evie’s perspective, the book stands apart thanks to her dry, knowing voice combined with the haunting yet whimsical nature of Burnsby’s abbey. It’s a moody ghost story, full of plot twists, but it’s also the tale of a strong heroine with a quick wit and a piglet for a pet. There’s plenty of chemistry as Evie’s relationship slowly develops with Godric, but Evie’s personal development is almost as compelling. Though the story takes some time to find its feet, this book is likely to be enjoyed by James’ fans, as it’s one of her best in years.

A lively, quirky gothic romance for readers who like ghost stories as much as love stories.

Pub Date: May 12, 2026

ISBN: 9781668200056

Page Count: 384

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: March 9, 2026

Kirkus Reviews Issue: April 1, 2026

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