An excruciatingly witty debut from screenwriter Wolper, set in Hollywood and full of glam-girl insights on love, sex, success—and the search for “Mr. Maybe.” Elizabeth West is a down-home Hollywood girl, the sort who understands the etiquette of twin beds in Palm Springs and designer champagne at story meetings. A screenwriter, Elizabeth has made her name in the very macho sub-world of action-moron films, and much of her job is consumed by questions of finding the right firearms for the right scene. Although “estrogen” is usually a put-down in her patois, she is surprised to find herself gradually succumbing to the biological clock. She’s 28, after all, which puts her at the start of the “zone—: the prime years (28—35) for finding a man and settling down. But, living in Hollywood, Elizabeth can—t exactly start hanging out at church socials. She has to come up with a treatment, then polish off the edges as she goes along. There’s Jake: a director of some note, who’s been Elizabeth’s mentor and (at 40) father-figure for some time. She admits to a crush on him, but there are problems, not least of which is his girlfriend Blaze. David’s a thirtysomething architect who looks great and “can eat a girl into a coma,” but his idea of commitment is a three-day weekend. Nigel is an acid-tongued Brit who owns a trendy restaurant in Malibu but is standoffish and spastic in that annoyingly English way. The only decent man in Elizabeth’s life seems to be her best friend Andrew, who runs an art gallery and warns Elizabeth when she’s flying too close to the flames. Can she start something there? No way. This is Hollywood, after all, where decency marks you as a loser. Elizabeth will have to make the best of a bad hand. Or will she? Slick to the max: after about ten pages, Wolper’s high-testosterone romp begins to sound like Cynthia Heimel on speed.
Pub Date: Sept. 1, 1999
ISBN: 1-57322-137-6
Page Count: 288
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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