This detailed study of the author of Quartet and Wide Sargasso Sea seems not so much a biography as a collection of annotated note cards and unedited lecture notes. Rhys, born in 1890 in Dominica, the West Indies, had a Welsh father and a mother who was a Dominican Creole. The Creole influence would pervade her life and writing. At the age of 17, Rhys left Dominica to go to England, where she tried several careers—actor, chorus girl, artist's model—before she started to write. Her familiarity with the seedy side of London life is evident in her novels, many of which have the repeated theme of the helpless female, victimized by her dependence on a man for support and protection. Rhys had numerous love affairs throughout her long life; even at age 80, she enjoyed flirting with critic Alfred Alvarez, whose article about her in The New York Times Book Review on March 17, 1974, ``The Best Living English Novelist,'' made Rhys, briefly, a best seller. After several early novels such as After Leaving Mr. Mackenzie (1931) and Voyage in the Dark (1935), she stopped writing. Then she published Wide Sargasso Sea (1967), her story of the first marriage of Mr. Rochester of Charlotte Bronte's Jane Eyre. Many of Rhys's novels have autobiographical origins, and Angier, an English writer and teacher, seems determined to connect every inhalation in Rhys's life with an exhalation in one of her novels. Thus, the reader stumbles through explanatory parentheses (as many as six a page), interspersed with speculative phrases (``I think''; ``Did she know? I doubt very much''; ``Would she have? Surely not''). Perhaps Angier's exhaustive but unsorted research will be of value to some future biographer who will do justice to Rhys, a fine writer.
Pub Date: June 3, 1991
ISBN: 0-316-04263-3
Page Count: 776
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1991
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BOOK REVIEW
An authentic and fresh extension of the author’s successful Web series.
Writer, producer and director Rae, famous for her popular Web series, "The Misadventures of Awkward Black Girl," channels her humor and attention to detail into this eponymous collection of personal essays about all the embarrassing moments that have made her who she is.
Sharp and able to laugh at herself, the author writes as if she's unabashedly telling friends a stream of cringeworthy stories about her life. Having grown up with the understanding that laughing at and talking about people was a form of entertainment and bonding, Rae continues the tradition by inviting readers into her inner circle and making her own foibles her primary focus. Almost 30, she opens up about nearly everything in her life, from her lifelong fear of being watched while eating in public to acutely awkward experiences with Internet dating and cybersex. The theme that race plays in this book is integral, although Rae's approach, as with all of her subjects, is decidedly humorous and lighthearted; she veers, always, toward a personal tone as opposed to one that's political or polemical. Her unwavering candidness, the sheer energy of her voice and the fact that she clearly finds herself to be terrific material make her a charismatic, if occasionally exasperating, narrator worth rooting for. Having been in a committed relationship for seven years, Rae unpacks how her Senegalese parents’ union contributed to her attitude (indifference) toward marriage. Some readers will find her proclamations and direct confessions offensive and be turned off; others may be offended but laugh out loud anyway. In Rae, her audience has landed on a singular voice with the verve and vivacity of uncorked champagne.
An authentic and fresh extension of the author’s successful Web series.Pub Date: Feb. 10, 2015
ISBN: 978-1476749051
Page Count: 210
Publisher: 37 Ink/Simon & Schuster
Review Posted Online: Dec. 20, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Told with mettle and intelligence, Sebold’s story of fierce determination to wrest back her life from her rapist will...
A stunningly crafted and unsparing account of the author’s rape as a college freshman and what it took to win her case in court.
In 1981, Sebold was brutally raped on her college campus, at Syracuse University. Sebold, a New York Times Magazinecontributor, now in her 30s, reconstructs the rape and the year following in which her assailant was brought to trial and found guilty. When, months after the rape, she confided in her fiction professor, Tobias Wolff, he advised: “Try, if you can, to remember everything.” Sebold heeded his words, and the result is a memoir that reads like detective fiction, replete with police jargon, economical characterization, and film-like scene construction. Part of Sebold’s ironic luck, besides the fact that she wasn’t killed, was that she was a virgin prior to the rape, she was wearing bulky clothing, and her rapist beat her, leaving unmistakable evidence of violence. Sebold casts a cool eye on these facts: “The cosmetics of rape are central to proving any case.” Sebold critiques the sexism and misconceptions surrounding rape with neither rhetoric nor apology; she lets her experience speak for itself. Her family, her friends, her campus community are all shaken by the brutality she survived, yet Sebold finds herself feeling more affinity with police officers she meets, as it was “in [their] world where this hideous thing had happened to me. A world of violent crime.” Just when Sebold believes she might surface from this world, a close friend is raped and the haunting continues. The last section, “Aftermath,” has an unavoidable tacked-on-at-the-end feel, as Sebold crams over a decade’s worth of coping and healing into a short chapter.
Told with mettle and intelligence, Sebold’s story of fierce determination to wrest back her life from her rapist will inspire and challenge.Pub Date: Aug. 1, 1999
ISBN: 0-684-85782-0
Page Count: 240
Publisher: Scribner
Review Posted Online: Jan. 2, 2011
Kirkus Reviews Issue: June 1, 1999
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