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THE STAR OF INDIA

Sherlock Holmes is immortal, of course, and lately Carole Nelson Douglas has given Irene Adler a new lease on life as well. But who would've thought Professor Moriarty also survived his death-struggle with Holmes? (Kind of a cheat for the tourists visiting Reichenbach Falls, when you think about it.) And yet Holmes and his brother Mycroft are sure that none other than Moriarty is behind the diabolical plot that begins, for Holmes and Dr. Watson, when the two attend a recital at the Royal Albert Hall (the violinist Sarasate playing the ``Goldberg Variations'': one of first-novelist BuggÇ's few slips) and find themselves seated behind a young woman whose behavior Holmes finds as quietly remarkable as her perfume. Once Holmes recovers a pair of gloves that Violet Merriweather has left behind, he soon connects her to a life-or-death struggle between a pair of Indian potentates and to a plan by Moriarty to steal the fabled Star Sapphire of India. So far so good: If Sherlockians don't find the plot riveting, it certainly has the lineaments of a Holmes adventure. But although Holmes in this manifestation is admirably quick with a deduction, and BuggÇ makes a tolerable approach to catching Watson's voice, she hasn't the knack of invention needed to sustain such a long tale; most of the action here consists of Holmes rescuing his allies from the clutches of Moriarty, who seems more interested in playing out an elaborate chess game (surely the relic of later writers than Conan Doyle) with his nemesis than in concentrating on lucrative malefaction. A lovely read page by page, then, though it reminds you of Doyle's own problems sustaining a novel-length adventure.

Pub Date: Jan. 15, 1998

ISBN: 0-312-18034-9

Page Count: 208

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1997

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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