A warm, winning read that showcases baby-boomer culture at its best.
An acclaimed singer-songwriter invites fans into her personal life.
When King embarked on her Living Room Tour in 2004, she re-created onstage the atmosphere that millions had come to expect from the slew of albums she recorded from the 1970s onward. Tapestry, her breakthrough 1971 album, not only became a bestseller and a benchmark for women’s achievements in the music industry but also introduced the down-to-earth, optimistic and liberated worldview of a woman with some timely stories to tell. King’s trajectory mirrored that of many of her fellow musical peers. Bitten by the music bug at an early age and subsequently converted to rock ’n’ roll in the ’50s, she began writing her own songs, landing a record deal at the age of 15. She would experience far greater success, however, when she and co-songwriter Gerry Goffin turned out hit after hit for such artists as Aretha Franklin, the Shirelles and the Monkees. Having married Goffin when she was 17, King spent most of the ’60s balancing her career with her responsibilities as a wife and mother. Change was in the air, though, and when her marriage deteriorated, she set off for Los Angeles to seek her own voice. That voice comes through strongly on every page of this memoir, an engaging assortment of recollections comprising a journey that started in her working-class Jewish neighborhood in Brooklyn, took her to Manhattan and Laurel Canyon and saw her escape what Joni Mitchell called "the star maker machinery" to settle in rural Idaho. In one of the book's best sections, King explains her decision to retreat from fame in the mid ’70s, chronicling the joys and sorrows of going “back to the land” as well as the tempestuous relationships she had with two men during this period. She is also refreshingly candid about her four marriages.
A warm, winning read that showcases baby-boomer culture at its best.Pub Date: April 10, 2012
ISBN: 978-1-4555-1261-4
Page Count: 484
Publisher: Grand Central Publishing
Review Posted Online: Feb. 12, 2012
Kirkus Reviews Issue: March 1, 2012
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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