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A WAY TO BE HAPPY

Confidently written stories by an author whose light touch suggests human pathos without pinning it down.

Stories by an accomplished Canadian writer about the complexity of loneliness and the sweet relief of connection.

In “Homing,” 62-year-old Marta leaves her husband, which is a “non-event” until she realizes how lonely she is, living in a new town and making feeble attempts to befriend her neighbors. Her despair starts to lighten when a flock of pigeons roosts in her shed; figuring out what’s brought them to her rental house forces her out of her shell. Taryn in “All Our Auld Acquaintances Are Gone” is adrift, a homeless addict. As she and a man who has promised to take her away—perhaps to recover—go from one fancy party to another on New Year’s Eve and steal from the guests, it would be easy to judge Taryn, except that the story swerves in a small, unexpected way. Adderson has a gift for finding the tender parts in characters, even unlikable ones. At 55, Ketman, the misanthropic grump in “The Procedure,” misses his late mother so much that he actually imagines she’s waiting just around the next corner of his colon, which he’s watching on screen during his colonoscopy. The best story here is “From the Archives of the Hospital for the Insane,” a piece about the power of women to care for each other, even under difficult circumstances. Drawing from research on British Columbia’s Provincial Hospital for the Insane in the early 20th century, Adderson teases out the social-historical reasons for women’s “insanity” as well as why some women might prefer to live in an institution rather than out in the world. Adderson, best known in the U.S. for her children’s books, is a deft, masterful storyteller whose literary fiction surely deserves more attention.

Confidently written stories by an author whose light touch suggests human pathos without pinning it down.

Pub Date: Sept. 10, 2024

ISBN: 9781771966221

Page Count: 240

Publisher: Biblioasis

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE GOD OF THE WOODS

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.

One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

Pub Date: July 2, 2024

ISBN: 9780593418918

Page Count: 496

Publisher: Riverhead

Review Posted Online: April 13, 2024

Kirkus Reviews Issue: May 15, 2024

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SANDWICH

A moving, hilarious reminder that parenthood, just like life, means constant change.

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During an annual beach vacation, a mother confronts her past and learns to move forward.

Her family’s annual trip to Cape Cod is always the highlight of Rocky’s year—even more so now that her children are grown and she cherishes what little time she gets with them. Rocky is deep in the throes of menopause, picking fights with her loving husband and occasionally throwing off her clothes during a hot flash, much to the chagrin of her family. She’s also dealing with her parents, who are crammed into the same small summer house (with one toilet that only occasionally spews sewage everywhere) and who are aging at an alarmingly rapid rate. Rocky’s life is full of change, from her body to her identity—she frequently flashes back to the vacations of years past, when her children were tiny. Although she’s grateful for the family she has, she mourns what she’s lost. Newman (author of the equally wonderful We All Want Impossible Things, 2022) imbues Rocky’s internal struggles with importance and gravity, all while showcasing her very funny observations about life and parenting. She examines motherhood with a raw honesty that few others manage—she remembers the hard parts, the depths of despair, panic, and anxiety that can happen with young children, and she also recounts the joy in a way that never feels saccharine. She has a gift for exploring the real, messy contradictions in human emotions. As Rocky puts it, “This may be the only reason we were put on this earth. To say to each other, I know how you feel.”

A moving, hilarious reminder that parenthood, just like life, means constant change.

Pub Date: June 18, 2024

ISBN: 9780063345164

Page Count: 240

Publisher: Harper/HarperCollins

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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