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DRINKING

A LOVE STORY

She suggests that women are particularly vulnerable to the belief that the abuse of drink, drugs, and food can and will...

Boston columnist and New Woman contributing editor Knapp writes with unflinching honesty about her 20 years as an alcoholic, her struggle to overcome the addiction, and the special peril facing women drinkers.

Knapp was a drinker able to hold down a steady job while convincing herself (and others) that her drinking was not interfering with her life—that, in fact, it was making life easier. She drank to forget her problems or to get through a crisis. She rationalized the drinking by telling herself that she would stop after she came through an especially rough situation, never realizing that the drinking contributed to her difficulties. Knapp drank during her simultaneous involvement with two men, hiding each from the other. She drank through her parents' painful deaths a year apart, raiding their liquor cabinet, hiding bottles in the bathroom. The death of her prominent analyst father—and the subsequent realization that he, too, had been an alcoholic—started her on the slow path to recovery, although it was almost two years after his death before she checked herself into a clinic. His death made her wonder "if I would have been able to let go of alcohol without letting go of my father first.'' Through rehab and nightly AA meetings she was finally able to take control of her life. Knapp also suffered from anorexia during her 20s, and she believes that there is a link for women between food disorders, drinking, and other addictions.

She suggests that women are particularly vulnerable to the belief that the abuse of drink, drugs, and food can and will change them for the better—not realizing the terrible physical and emotional tolls of such behavior. Knapp is prone to repetitiousness, but this is still a soul-baring memoir with cogent insights into the nightmarish world of addiction.

Pub Date: June 1, 1996

ISBN: 0-385-31551-1

Page Count: 272

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1996

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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