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THE ROOMMATE

A smoothly written but underdramatized novel about a toxic relationship between housemates in Southern California.

Chicago writer and teacher Macon Fleischer debuts with a suspense novel about a woman whose life turns creepy after a con artist responds to her Craigslist ad for a roommate.

Twenty-five-year-old Donna is lucky enough to inherit a bungalow in sunny Southern California from her grandmother, a welcome change from dreary Chicago, shortly before Donald Trump becomes president. But right off the bat, things are odd. There are no personal effects of grandma Rudy, strange noises emanate from the attic, and in the spirit of countless psychological thrillers, Donna feels she’s being watched. She’s determined to begin a new life, but her job as a receptionist at a beauty salon pays little, and the town of Topanga is a bit pricey. Forced to find a roommate, she ignores huge red flags when her Craigslist ad brings a response from the older, gay Joshua Flowers, who had “something mysterious” about him, “a calming quiet that left room for a lot of questions.” When Donna finds that the stink in his room comes from dead mice he feeds an enormous python he’s hidden in his closet, she barely protests, although it’s clear that her new roommate is bad news, especially after he balks at paying rent. Macon Fleischer is a smooth writer who keeps the nasty details about Joshua unfolding at a steady clip and effectively conveys the setting. Early on, Donna finds 20 feet of shed snakeskin near her door: “Topanga was known as ‘the Snake Pit,’ but for the rattlesnakes and seedy residents from the seventies—not twenty-foot-long pythons.” But it’s hard to care about a character who, throughout the book, acts so carelessly and for reasons too often explained, not dramatized. And Joshua is the snake hiding in the flowers, aiming to steal her house and perhaps harm her. As Donna rationalizes his actions, her plight fails to inspire the keen sympathy it should, given that from the start her predicaments have been of her own making.

A smoothly written but underdramatized novel about a toxic relationship between housemates in Southern California.

Pub Date: July 26, 2022

ISBN: 978-1-80405-435-2

Page Count: 220

Publisher: Joffe Books

Review Posted Online: Sept. 1, 2022

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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