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THE STORY STARTS HERE!

Nifty concept; imperfect execution.

A contrarian wolf insists on starting his story from back to front.

Once readers turn the book over and open the “back” cover, they see the title page. Little Wolf stands with his arms folded, proclaiming “The Story Starts Here”—“Because I said so,” tipping readers off as to the tone of the book. Little Wolf’s parents (readers only see their legs) tell him that books don’t start from “this end,” but Little Wolf insists they do today and continues in this vein (starting his meal with dessert, playing piano with his toes) until he is sent to his room. Little Wolf then escapes into the forest outside through his (strangely paneless) window to see all manner of forest creatures in full sprint. They are fleeing an indescribable creature who turns out to be Little Wolf’s father walking on his hands, though readers have to flip the book to make this discovery. After the flip, Little Wolf’s father shrinks from his extra-large size back to normal, for no discernible reason, and the pair leaves together, though it’s made clear that Little Wolf is as rebellious as ever. Starting a book from what is usually the back cover is a great idea, but unfortunately, Little Wolf’s subsequent acts of rebellion are too pedestrian to sustain the concept’s promise, and the narrative follow-through is so arbitrary that it’s more likely to unmoor readers than to charm them.

Nifty concept; imperfect execution. (Picture book. 3-5)

Pub Date: Sept. 15, 2014

ISBN: 978-1-77147-079-7

Page Count: 36

Publisher: Owlkids Books

Review Posted Online: Aug. 5, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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THE THREE LITTLE SUPERPIGS AND THE GINGERBREAD MAN

Superheroes, and readers, will live happily-ever-after.

Why have fairy tales lasted so long? Maybe it’s because they change with every teller.

It takes surprisingly little effort to turn the Three Little Pigs into superheroes. The Big Bad Wolf basically started out as a supervillain, with the ability to blow a house down, and the pigs had to perform spectacular feats to outwit him. In this picture book, the wolf, locked in the Happily Never After tower, devises a plot to escape. Using rotten eggs and spicy ginger, he creates the Gingerbread Man, who makes his way to a baking contest where the three pigs and other fairy-tale characters are competing to win the key to the city. The Gingerbread Man grabs the key, and not even superhero pigs are fast enough to catch him, but with their secret weapon—mustard (which one of the pigs also uses to bake cookies)—they save the day. The morals: Evil never triumphs, and mustard cookies are delicious. The book’s charm is in the details. There are splotches of mustard on the cookies featured on the endpapers, and a sly-looking mouse is hiding on many of the pages. The story even manages to include more than a dozen fairy-tale figures without seeming frenzied. Evans’ use of shading is so skillful that it almost seems possible to reach out and touch the characters. Most of the human characters are light-skinned. (This book was reviewed digitally.)

Superheroes, and readers, will live happily-ever-after. (Picture book. 3-5)

Pub Date: Sept. 6, 2022

ISBN: 978-1-338-68221-2

Page Count: 40

Publisher: Scholastic

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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