by Caroline Moorehead ‧ RELEASE DATE: Oct. 3, 2017
A vivid portrait of resistance in dark, perilous times that is not without contemporary relevance.
A history of the Italian family who mounted an intrepid campaign against Mussolini.
After World War I, fascism took hold in war-torn Italy, culminating in the rise of 39-year-old Mussolini as the nation’s youngest prime minister. In 1922, supported by the royal family, the Vatican, and about 25,000 well-trained Blackshirts, Mussolini, demanding “full powers” to lead, faced weak opposition by socialists, communists, and liberals. In an absorbing, well-documented narrative, historian Moorehead (Village of Secrets: Defying the Nazis in Vichy France, 2014, etc.) focuses on the Rosselli family—brothers Carlo and Nello and their mother, Amelia—who became tireless leaders of an anti-fascist movement that grew in strength as Mussolini’s reign of terror intensified. “Fascism,” writes the author, “quickly spread its tentacles over the fabric of Italian life. The army, the aristocracy, the Church and industry, all were rallying to defend the rights of a usurper.” Drawing on thousands of family letters as well as biographies of Mussolini and histories of the period, Moorehead powerfully depicts the family’s anger and despair as Italy succumbed to what Carlo called “an enormous black plague.” Although at first some anti-fascists hoped that Mussolini, who was “boastful, vain, cruel and erratic,” would fail on his own, it soon became clear that they needed to wage a real battle. By 1927, Mussolini had abolished elections and installed himself as minister “of foreign affairs, of the interior, of war, of the navy and air force, and of corporations.” Textbooks were rewritten and journalists fired if they showed “aversion” to fascism. Anti-fascists grew stronger, with Carlo standing as “the most prominent leader of the non-communist anti-fascist opposition.” The author chronicles the efforts by Carlo and Nello that led to repeated arrests and incarcerations on Italy’s prison islands. When he was released, Carlo took up a frantic pace of writing and speeches, traveling to Paris, London, and, during the Spanish Civil War, Spain. Constantly in Mussolini’s cross hairs, the brothers finally were assassinated: 200,000 people followed their funeral procession.
A vivid portrait of resistance in dark, perilous times that is not without contemporary relevance.Pub Date: Oct. 3, 2017
ISBN: 978-0-06-230830-6
Page Count: 448
Publisher: Harper/HarperCollins
Review Posted Online: July 3, 2017
Kirkus Reviews Issue: July 15, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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