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GIRACULA

From the Bump in the Night series

A head-scratcher and series opener best left to the bats and other things that go bump in the night.

When vampire bats go for the longest necks around, Giracula is the result.

When the poor giraffe awakens, he has fangs and a cloak, though the latter comes off in a collision with a drone (and is back in place again a page turn later). He lands right in front of a bakery, and a good thing this is, as this vampiric giraffe craves sweets instead of blood, for no articulated reason. “Never before had our / friend felt like this. / He’d go bonkers, BANANAS / without a treat fix!” Indeed, by the time the treats are gone, the shop is a mess, and his tummy is aching with all the sugar he’s consumed. The townspeople catch him on his second sweets raid, his mouth dripping cherry-pie filling, and they assume the worst, all save a dark-haired girl with brown skin who offers a deal: She’ll make him treats if he’ll stop stealing. But this is never depicted. Instead, Giracula is pictured in a full tuxedo against a castle backdrop, a light-skinned child offering him a chocolate bar while the text reads that the town’s had no more trouble since the monster left. Watkins’ rhymes can be quite rough (“clouds” and “sounds,” “manners” and “answers”), and the scansion occasionally falters. Tuchman’s cartoon illustrations are amusing enough, but they are not enough to draw readers back again.

A head-scratcher and series opener best left to the bats and other things that go bump in the night. (Picture book. 4-8)

Pub Date: Sept. 5, 2019

ISBN: 978-1-943978-45-8

Page Count: 32

Publisher: Persnickety Press

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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