A head-scratcher and series opener best left to the bats and other things that go bump in the night.

GIRACULA

From the Bump in the Night series

When vampire bats go for the longest necks around, Giracula is the result.

When the poor giraffe awakens, he has fangs and a cloak, though the latter comes off in a collision with a drone (and is back in place again a page turn later). He lands right in front of a bakery, and a good thing this is, as this vampiric giraffe craves sweets instead of blood, for no articulated reason. “Never before had our / friend felt like this. / He’d go bonkers, BANANAS / without a treat fix!” Indeed, by the time the treats are gone, the shop is a mess, and his tummy is aching with all the sugar he’s consumed. The townspeople catch him on his second sweets raid, his mouth dripping cherry-pie filling, and they assume the worst, all save a dark-haired girl with brown skin who offers a deal: She’ll make him treats if he’ll stop stealing. But this is never depicted. Instead, Giracula is pictured in a full tuxedo against a castle backdrop, a light-skinned child offering him a chocolate bar while the text reads that the town’s had no more trouble since the monster left. Watkins’ rhymes can be quite rough (“clouds” and “sounds,” “manners” and “answers”), and the scansion occasionally falters. Tuchman’s cartoon illustrations are amusing enough, but they are not enough to draw readers back again.

A head-scratcher and series opener best left to the bats and other things that go bump in the night. (Picture book. 4-8)

Pub Date: Sept. 5, 2019

ISBN: 978-1-943978-45-8

Page Count: 32

Publisher: Persnickety Press

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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Only for dedicated fans of the series.

HOW TO CATCH A MONSTER

From the How To Catch… series

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 15, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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Halloween is used merely as a backdrop; better holiday titles for young readers are available.

THE LITTLE GHOST WHO WAS A QUILT

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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