A palpable, engrossing portrait of three extraordinary women and their tempestuous, fragile world.
A captivating triple biography reveals the women who inspired Marcel Proust’s Duchesse de Guermantes.
In his seven-volume In Search of Lost Time, Proust drew on his astute observations of Parisian high society: the dazzling glamour, effete customs, and, as he increasingly noted, superficiality and banality. Focusing on three alluring women who were objects of Proust’s fascination, Weber (French and Comparative Literature/Barnard Coll.; Queen of Fashion: What Marie Antoinette Wore to the Revolution, 2006, etc.) portrays in rich detail a French aristocracy threatened by profound social and political change. Geneviève Halévy Bizet Straus (widow of the composer Georges Bizet); Laure de Sade, Comtesse Adhéaume de Chevigné (a descendent of the Marquis de Sade); and Élisabeth de Riquet de Caraman-Chimay, Vicomtesse Greffulhe were the grandes dames who fueled Proust’s “dream of patrician elegance and grace.” Each assiduously developed “a conscious strategy of self-promotion,” honing a distinctive image to achieve recognition and admiration. Élisabeth traded on her beauty, wearing only clothing “designed by her and for her.” Laure, with a particular talent for self-aggrandizement and tireless indulgence for “wild nights” at the notorious Chat-Noir, made sure to publicize her Sadean lineage. Geneviève, who entertained wearing “silky, mauve peignoirs,” had a reputation as “the neurasthenic queen of Montmartre.” Each was married, unhappily, and strived for some measure of independence at a time when women “had the legal status of minors.” As Élisabeth wrote, “women are meant to be trophies, pretty possessions….Smiling, placid, charming. Not leaving the nest, staying in the aviary.” Weber offers intimate details of their love affairs, betrayals, friendships, and rivalries; their worries over money and status; and their “grappl[ing] with mental illness and drug addiction.” She recounts vividly the plush ambience, dress, and décor of their châteaux and palaces as well as the parties and salons peopled by royalty, artists, and writers who mesmerized the young, aspiring, impressionable Proust.
A palpable, engrossing portrait of three extraordinary women and their tempestuous, fragile world.Pub Date: May 22, 2018
ISBN: 978-0-307-96178-5
Page Count: 768
Publisher: Knopf
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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