Burke’s graceful biography restores Miller to attention; students of art photography, in particular, will want a look.
Illuminating life of the once-renowned model, photographer and traveler who drew few distinctions between life and art.
Born to a well-to-do industrialist, Lee Miller (1909–77) was raped by a family acquaintance at the age of seven; or so, writes Burke (Becoming Modern, 1996), it “must be inferred from the patterns of her later life.” Whatever the unknowable but inferable facts, Miller seems to have regarded herself as damaged goods; it probably did not help matters when her father’s nude photograph of Miller, “December Morn,” was published, becoming, in its time, “as famous, or notorious, as the Mona Lisa.” Later traumas would come, and Miller, a free spirit bound, would process them between what she called her good and bad sides. As a disciple of Alfred Steichen and devotee and lover of Man Ray in Paris, she played the ingénue a little but was more knowing than all that; indeed, she recalled, she was a bit of a fiend. Ray came eventually to regard her as a threat, though it was likely for the ever-deepening quality of her work as a photographer rather than any conflict she herself set in motion. She posed for Picasso, spent pleasant hours with the surrealists, knew Hemingway and Gellhorn, had the kind of life that the present-day bohemian can only aspire to; yet Miller fully came into her own as a combat correspondent (for Vogue) in Europe during WWII, photographing the liberation of Paris and the conquest of Germany. She later recalled, “I got in over my head. I could never get the stench of Dachau out of my nostrils.” Wealthy (she married an English nobleman), well traveled and well connected, Miller became progressively less well known as the years rolled on and her life became less tumultuous, if always more complicated than other people’s lives.
Burke’s graceful biography restores Miller to attention; students of art photography, in particular, will want a look.Pub Date: Dec. 5, 2005
ISBN: 0-375-40147-4
Page Count: 448
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2005
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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