A very mixed bag, then. But as the only anthology of its kind currently available, well worth a look.
Both ideology and art are served, with varying results, in this nonetheless interesting collection of 21 stories by 19 Chinese writers, most of them little known or unknown in the West.
Though the balance of the stories were written since 1970, the shadows of Mao’s Cultural Revolution and a long history of repressive regimentation are visible on virtually every page. And though editor Li-Qun’s brief introductory remarks call attention to “Character-led [as opposed to narrative-driven] fiction,” the volume contains such undistinguished work as his own flaccid account of a young London woman’s dream of performing in Chinese opera (“From Beijing Opera”); Wang Ceng-qi’s shapeless portrayal of relationships among primary school teachers and staff (“Big Chan”); and Shi Tie-sheng’s “Fate,” a discursive autobiographical speculation on the role chance plays in human affairs. There are interesting characterizations in “Hong Taiti,” Cheng Nai-shen’s wistful tale of a gracious, compassionate woman humbled by the Revolution, and Chen Shi-xu’s “The General and the Small Town,” whose eponymous protagonist maintains his dignity and courage throughout the havoc wreaked by shifting political winds. Even better are Feng Ji-cai’s “The Tall Woman and Her Short Husband,” about a devoted couple ruined by malicious gossip and false allegations of treason, and Cai Ce-hai’s briskly told “The Distant Sound of Tree-Felling,” in which an elderly carpenter’s stubborn conventionality threatens the happiness that his long-suffering daughter and compliant apprentice seem destined for. Best of all are two stories by the gifted Su Tong (known here for such memorable fiction as Raise the Red Lantern and Rice). His “Cherry” is a beautifully developed (if unsurprising) ghost story, and “Young Muo” is a tragicomic fabliaux about an egoistic doctor’s son; both deftly display this underrated writer’s absolute mastery of narrative economy and realistic detail.
A very mixed bag, then. But as the only anthology of its kind currently available, well worth a look.Pub Date: Nov. 20, 2001
ISBN: 0-375-70093-5
Page Count: 320
Publisher: Vintage
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2001
More of a detour than a natural progression for the author, whose fans will nevertheless find this as engaging as it is...
One of America’s finest fiction writers returns with an audaciously allegorical novella about sleep deprivation in an age of sensory overload.
As a recipient of a MacArthur Fellowship and the author of a critically acclaimed novel (Vampires in the Lemon Grove, 2013, etc.) and two story collections, Russell seems to be having some fun here, using the novella form and e-book format to put creative ingenuity to Orwellian use. The year is sometime in the near future, when the omnipresence of communication and connecting devices, the 24-hour news cycle and other sources of overstimulation have turned insomnia into an epidemic, even a plague. Sleep donors (like blood or plasma donors) can be a godsend for those suffering, particularly if those donors sleep undisturbed, without nightmares, like a baby. In this novella, Baby A is the ultimate donor, the silver bullet, the one whose sleep has universal benefits. (Other donors need to be more closely matched, as with blood types.) Our narrator, Trish, has recruited Baby A through the child’s parents and effectively sells the donor program to them by invoking the death of her own sister due to sleep deprivation. But the demands on Baby A eventually frustrate her father—a more reluctant participant than his wife—and he feels more concerned with what Baby A might suffer than with the benefits for society at large. At the other extreme from Baby A is Donor Y, whose nightmare-infected donation (an act of terrorism? an accident?) ultimately causes an international crisis, with many preferring the suicide of sleeplessness to a sleep that returns them to this nightmare. As the plot progresses, Trish feels that both she and Baby A have perhaps been equally exploited. Those who appreciate Russell’s literary alchemy might find this a little too close to science fiction, but it serves as a parable on a number of levels for a world that is recognizably our own.
More of a detour than a natural progression for the author, whose fans will nevertheless find this as engaging as it is provocative.Pub Date: March 25, 2014
ISBN: 978-1-937894-28-3
Page Count: 101
Publisher: Atavist Books
Review Posted Online: Feb. 5, 2014
Kirkus Reviews Issue: Feb. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
The heroine of Dave’s newest post-feminist chick-lit romance (The Divorce Party, 2008, etc.) must choose between the quiet life offered by her new husband and the fast lane her former lover represents.
Only days after 32-year-old Annie gets dumped by longtime live-in boyfriend Nick, an up-and-coming movie director, she meets Griffin at the chichi L.A. restaurant she frequents—talk about romantic fantasy: Annie’s career as a monthly travel columnist pays well, apparently demands little time or difficult travel and is never seriously endangered—and where he is temporarily the chef. It seems to be love at first sight, although Annie’s best friend Jordan, who also happens to be Nick’s sister, calls Griffin “Rebound Guy.” Three months after they meet, he proposes. They marry in a Vegas chapel on their way across the country to Griffin’s western Massachusetts hometown, where he is about to open his own restaurant—Annie’s job with a New York paper also allows her to live anywhere. But Williamsburg requires a lot of adjusting on Annie’s part. Griffin’s genius brother Jesse and his 5-year-old twins move in with the newlyweds because Jesse’s wife has thrown him out for impregnating the MIT professor guiding his doctorate program. The twin’s art teacher turns out to be Gia, until recently Griffin’s girlfriend of 13 years, whom Griffin’s mother makes clear she’d much prefer as a daughter-in-law. Then Nick shows up from his new base in London to win Annie back; she turns him down, but she feels stirrings. When the new Rupert Murdocklike owner of her paper offers her a job in London, Griffin encourages her to try it out. Soon she’s settled in London in a fantastic apartment, the company is grooming her for a new dream job, the publisher’s dashing son is wooing her and Nick is just a call away. What’s a girl to do? A lightweight romance posing as something realistic and psychologically profound.
Pub Date: May 16, 2011
ISBN: 978-0-670-02267-0
Page Count: 256
Publisher: Viking
Review Posted Online: April 3, 2011
Kirkus Reviews Issue: April 1, 2011
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