A momentous feat of storytelling in an already illustrious career.

ORANGE WORLD AND OTHER STORIES

Russell's third collection beckons like a will-o'-the-wisp across the bog, with eight crisp stories that will leave longtime fans hungry for more.

Since her debut more than a decade ago, Russell (Sleep Donation, 2014, etc.) has exhibited a commitment to turning recognizable worlds on their heads in prose so rich that sentences almost burst at the seams. Her third collection is no exception, and its subjects—forgotten pockets of violent American history, climate-related apocalypse, the trials of motherhood—feel fresh and urgent in her care. Russell takes an expansive view of history, excavating past horrors and imagining the contours of real terror on the horizon. In "The Prospectors," two society-savvy gold diggers must fight their way out of a haunted ski lodge without attracting the wrath of long-dead Civilian Conservation Corps men killed by an avalanche on the job. Even within the framework of her ghost story, Russell remains attuned to the performances women mount in order to survive the threat of male violence: "People often mistake laughing girls for foolish creatures," cautions the narrator. "They mistake our merriment for nerves or weakness, or the hysterical looning of desire. Sometimes, it is that. But not tonight." In "The Tornado Auction," a widowed farmer risks it all to return to his calling—rearing tornadoes on the Nebraskan plains—over the protests of his three grown daughters. "I saw, I understood, that in fact I had always been the greatest danger to my family. I was the apex predator," he muses after a terrible accident, exhibiting the guilt and regret of a loving father who nevertheless finds it difficult to change his ways. While the title story, "Orange World," offers a chilling—and insightful—depiction of motherhood as a real-life devil's bargain, it dips a toe in the realm of schlocky and crude horror uncharacteristic of Russell's other work. The result is mixed even though the story retains Russell's hallmark narrative strengths: a narrator who butts up against the edge of her own expectations and a strange, uncanny world that yields a difficult solution to a familiar emotional problem. "Rae admits that she is having some difficulties with nursing....There is no natural moment in the conversation to say, Mother, the devil has me."

A momentous feat of storytelling in an already illustrious career.

Pub Date: May 14, 2019

ISBN: 978-0-525-65613-5

Page Count: 288

Publisher: Knopf

Review Posted Online: March 4, 2019

Kirkus Reviews Issue: March 15, 2019

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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This book sings with the terrible silence of dead civilizations in which once there was valor.

THINGS FALL APART

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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