More of a detour than a natural progression for the author, whose fans will nevertheless find this as engaging as it is...

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SLEEP DONATION

A NOVELLA

One of America’s finest fiction writers returns with an audaciously allegorical novella about sleep deprivation in an age of sensory overload.

As a recipient of a MacArthur Fellowship and the author of a critically acclaimed novel (Vampires in the Lemon Grove, 2013, etc.) and two story collections, Russell seems to be having some fun here, using the novella form and e-book format to put creative ingenuity to Orwellian use. The year is sometime in the near future, when the omnipresence of communication and connecting devices, the 24-hour news cycle and other sources of overstimulation have turned insomnia into an epidemic, even a plague. Sleep donors (like blood or plasma donors) can be a godsend for those suffering, particularly if those donors sleep undisturbed, without nightmares, like a baby. In this novella, Baby A is the ultimate donor, the silver bullet, the one whose sleep has universal benefits. (Other donors need to be more closely matched, as with blood types.) Our narrator, Trish, has recruited Baby A through the child’s parents and effectively sells the donor program to them by invoking the death of her own sister due to sleep deprivation. But the demands on Baby A eventually frustrate her father—a more reluctant participant than his wife—and he feels more concerned with what Baby A might suffer than with the benefits for society at large. At the other extreme from Baby A is Donor Y, whose nightmare-infected donation (an act of terrorism? an accident?) ultimately causes an international crisis, with many preferring the suicide of sleeplessness to a sleep that returns them to this nightmare. As the plot progresses, Trish feels that both she and Baby A have perhaps been equally exploited. Those who appreciate Russell’s literary alchemy might find this a little too close to science fiction, but it serves as a parable on a number of levels for a world that is recognizably our own.

More of a detour than a natural progression for the author, whose fans will nevertheless find this as engaging as it is provocative.

Pub Date: March 25, 2014

ISBN: 978-1-937894-28-3

Page Count: 101

Publisher: Atavist Books

Review Posted Online: Feb. 6, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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