An entertaining novel that paints a fine portrait of 1960s New York, even if it does sometimes plow familiar dramatic...
In this novel of a New York City Italian-American family in the 1960s, a mother and daughter both long for love but end up with drama.
Thirty-four-year-old Maria Campisi is an unhappy wife and mother. Her large family gathers every Sunday night for dinner, and during this weekly ritual, her husband, Luigi, berates her, her sister-in-law looks down on her, and her mother-in-law, Nonna, belittles her. However, she takes some solace in the fact that people often mistake her to be her daughter’s sister. Meanwhile, her daughter, 15-year-old Angelina, dresses like a greaser and goes to bra-burning protests with her friends. Their lives both change when Luigi hires contractors to work on their house—among them the handsome Pasquale. Maria feels an immediate attraction to him, basking in the glow of his attention and compliments. But Angelina also swoons over Pasquale, especially after her own boyfriend, Ford, pressures her into sex she doesn’t want to have. Family tensions at home make matters worse, as Nonna keeps disappearing for hours at a time and acting mysterious. Maria gets in too deep with Pasquale, and as she backpedals, Angelina tries to use him as a pawn in a plan of her own. But when Luigi catches Pasquale in his teenage daughter’s bed, Pasquale is arrested, Maria is beside herself; meanwhile, Angelina and Nonna still both have secrets. The women of the family will have to come together for the Campisis to have a happy ending. The story unfolds amidst the volatile events of the ’60s, including the Vietnam War, “free love” and women’s liberation. These cultural markers are sometimes heavy-handed, but they’re tempered slightly by the effectively used signposts of an urban Italian-American family: cannoli, marinara sauce, stickball and more. With two first-person narrators telling the story—mother and daughter in alternating chapters—the novel sometimes reads like a diary, as they both reveal their feelings and grievances. Overall, however, the characters are compelling and well-drawn, and the story moves at a quick clip. Some readers may wish for a different, more independent ending for the heroines, but they’ll at least get the satisfaction of watching mother and daughter come together.
An entertaining novel that paints a fine portrait of 1960s New York, even if it does sometimes plow familiar dramatic territory.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: May 14, 2014
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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