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STICKS AND BONES

The mystery, past and present, isn’t up to much, and Haines doesn’t know any more about filmmaking than you do. But who else...

Hollywood roars into Zinnia, Mississippi, along with several less welcome blasts.

The first unexpected arrival is Frangelica "Sister" McFee, who crashes Harold Erkwell’s hitherto perfect New Year’s Eve party to announce that her bestselling book about the death of her mother is about to go before the cameras. Sarah Booth Delaney and Tinkie Bellcase Richmond, the two halves of the Delaney Detective Agency, are both scandalized and somehow reassured to see that Sister is as abrasive, combustible, and generally unbearable as ever. The highflying partners in Black Tar Productions, director Marco St. John and his cinematographer wife, former actress Lorraine St. John, soon follow with a surprising offer Sarah Booth can’t refuse. Sister’s tell-all account of Cleo McFee’s drowning after her son, Daryl, whom everyone calls Son, drove into the Sunflower River may not tell the whole story after all, especially since she has no good explanation for why Son’s body never turned up. So would the Delaney Detective Agency please accept a retainer of $10,000 to reopen their own independent investigation of the 5-year-old case? Fans of this long-running series (Rock-a-Bye Bones, 2016, etc.) won’t be surprised that what follows is not so much detective work as barely controlled chaos as Sarah Booth bounces like a pinball from her familiar, her ancestor Jitty Delaney, who this time around amuses herself by masquerading as a varied series of spies, to her almost-boyfriend, Sunflower County Sheriff Coleman Peters, to Colin McFee, Cleo’s widower, who’s torn between running a senatorial campaign by denouncing Vladimir Putin early and often and coping with the pregnancy of Susan Simpson McFee, the mistress he married.

The mystery, past and present, isn’t up to much, and Haines doesn’t know any more about filmmaking than you do. But who else would create a climactic scene of which one witness observes: “I’ve never seen a woman give birth and do a vault onto a man’s shoulders”?

Pub Date: May 16, 2017

ISBN: 978-1-250-08526-9

Page Count: 368

Publisher: Minotaur

Review Posted Online: March 5, 2017

Kirkus Reviews Issue: March 15, 2017

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THREE BAGS FULL

A SHEEP DETECTIVE STORY

All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the...

Just when you thought you’d seen a detective in every guise imaginable, here comes one in sheep’s clothing.

For years, George Glenn hasn’t been close to anyone but his sheep. Everyday he lets them out, pastures them, reads to them and brings them safely back home to his barn in the guilelessly named Irish village of Glennkill. Now George lies dead, pinned to the ground by a spade. Although his flock haven’t had much experience with this sort of thing, they’re determined to bring his killer to justice. There are of course several obstacles, and debut novelist Swann deals with them in appealingly matter-of-fact terms. Sheep can’t talk to people; they can only listen in on conversations between George’s widow Kate and Bible-basher Beth Jameson. Not even the smartest of them, Othello, Miss Maple (!) and Mopple the Whale, can understand much of what the neighborhood priest is talking about, except that his name is evidently God. They’re afraid to confront suspects like butcher Abraham Rackham and Gabriel O’Rourke, the Gaelic-speaking charmer who’s raising a flock for slaughter. And even after a series of providential discoveries and brainwaves reveals the answer to the riddle, they don’t know how to tell the Glennkill citizenry.

All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the sheep. But the sustained tone of straight-faced wonderment is magical.

Pub Date: June 5, 2007

ISBN: 978-0-385-52111-6

Page Count: 368

Publisher: Flying Dolphin/Doubleday

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 15, 2007

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