A slight but well-crafted and heartfelt effort.
Vaughn, who's competent in many subgenres, eschews werewolves (Kitty Saves the World, 2015), superheroes (Dreams of the Golden Age, 2014), dragons (Refuge of Dragons, 2017), and spacefarers (Martians Abroad, 2017) for a smaller-scale story, an intimate post-apocalyptic mystery.
Several decades after the Fall—a series of epidemics and devastating storms that have killed off most of the human population—survivors in California live in an interdependent confederation of towns along what they now call the Coast Road. Every household produces only what it needs and can't have children unless granted a banner for one by the town committee. The brown-clad investigators both look into suspected violations (including bannerless pregnancies) and mete out appropriate judgments. When Sero, an unpopular but skilled handyman, dies under suspicious circumstances, Enid, a young investigator, travels to Pasadan to determine the truth. As she and her colleague Tomas examine the evidence, Enid confronts both the resistance of the townspeople and the memory of a journey which marked a turning point in her life. Despite the worldwide apocalypse, this is actually a deeply personal story about one woman and the mores of small-town living, a deft portrait of a society departed so completely from the complexities of the now-destroyed civilization (except for some technological scraps) that survivors don’t even understand what it is they’ve lost. This is exemplified by a performance of “Dust in the Wind”; the musician believes that it is a song from Kansas rather than a song by Kansas—either way, Kansas is so impossibly distant so as to border on the mythical. Perhaps surviving humans (with the exception of a few desperate scavengers) would develop into a community where murder is rare, most crimes are petty, and shunning is a devastating punishment; it would be nice to think so. The characters definitely aren't angels, but they're still a pleasant and reasonably plausible departure from the grim sort that usually populate this subgenre.
A slight but well-crafted and heartfelt effort.Pub Date: July 11, 2017
ISBN: 978-0-544-94730-6
Page Count: 272
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: May 1, 2017
Kirkus Reviews Issue: May 15, 2017
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A fine novel for those who like to immerse themselves in alternative worlds.
Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.
In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.
A fine novel for those who like to immerse themselves in alternative worlds.Pub Date: Jan. 28, 2014
ISBN: 978-0-345-53978-6
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
