A thoroughly engaging addition to the shelf of stories about storymaking.

MR. ZINGER'S HAT

Here's one answer, at least, to the archetypal question about where stories come from: Their authors pull them out of hats!

When old Mr. Zinger's windblown hat lands atop young Leo, the elder's suggestion that there must be a story inside it trying to get out leads the pair to make up a tale about a rich but bored lad who offers half his possessions to anyone who can cheer him up. The elder gently prods Leo to come up with all the major details—including the solution, which isn't a flat-screen television, a live monkey or other high-profile item but a simple ball and a boy to share. Zinger then departs, leaving Leo to continue playing alone with his ball as he was before...until a new friend named Sophie shows up to share both the ball and the creation of a brand new story from Leo's own cap. Petricic alternates loosely brushed, sketchily detailed watercolors to illustrate the frame story with even more simply drawn cartoons for the newly invented tales. In doing so, he expertly evokes the episode's understated warmth while cranking up the visual appeal with a set of distinctly delineated central characters interacting comfortably with one another.

A thoroughly engaging addition to the shelf of stories about storymaking. (Picture book. 6-9)

Pub Date: Aug. 14, 2012

ISBN: 978-1-77049-253-0

Page Count: 32

Publisher: Tundra Books

Review Posted Online: June 27, 2012

Kirkus Reviews Issue: July 15, 2012

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An uncomplicated opener, with some funny bits and a clear but not heavy agenda.

BOOKMARKS ARE PEOPLE TOO!

From the Here's Hank series , Vol. 1

Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.

Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.

An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)

Pub Date: Feb. 14, 2014

ISBN: 978-0-448-48239-2

Page Count: 128

Publisher: Grosset & Dunlap

Review Posted Online: Dec. 11, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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A beautifully poignant celebration of memories of a loved one that live on in those that remain.

THE SOUR CHERRY TREE

With ample emotional subtext, a young girl recalls everyday details about her beloved grandfather the day after his death.

The child bites her mother’s toe to wake her up, wishing that she could have done the same for her baba bozorg, her beloved grandfather, who had forgotten to wake up the day before. She kisses a pancake that reminds her of her grandfather’s face. Her mother, who had been admonishing her for playing with her food, laughs and kisses the pancake’s forehead. Returning to Baba Bozorg’s home, the child sees minute remnants of her grandfather: a crumpled-up tissue, smudgy eyeglasses, and mint wrappers in his coat pockets. From these artifacts the narrator transitions to less tangible, but no less vivid, memories of playing together and looks of love that transcend language barriers. Deeply evocative, Hrab’s narrative captures a child’s understanding of loss with gentle subtlety, and gives space for processing those feelings. Kazemi’s chalk pastel art pairs perfectly with the text and title: Pink cherry hues, smoky grays, and hints of green plants appear throughout the book, concluding in an explosion of vivid green that brings a sense of renewal, joy, and remembrance to the heartfelt ending. Though the story is universally relevant, cultural cues and nods to Iranian culture will resonate strongly with readers of Iranian/Persian heritage. (This book was reviewed digitally.)

A beautifully poignant celebration of memories of a loved one that live on in those that remain. (Picture book. 4-8)

Pub Date: Oct. 15, 2021

ISBN: 978-1-77147-414-6

Page Count: 32

Publisher: Owlkids Books

Review Posted Online: July 14, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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Fans both young and formerly young will be pleased—100 percent.

HORTON AND THE KWUGGERBUG AND MORE LOST STORIES

Published in magazines, never seen since / Now resurrected for pleasure intense / Versified episodes numbering four / Featuring Marco, and Horton and more!

All of the entries in this follow-up to The Bippolo Seed and Other Lost Stories (2011) involve a certain amount of sharp dealing. Horton carries a Kwuggerbug through crocodile-infested waters and up a steep mountain because “a deal is a deal”—and then is cheated out of his promised share of delicious Beezlenuts. Officer Pat heads off escalating, imagined disasters on Mulberry Street by clubbing a pesky gnat. Marco (originally met on that same Mulberry Street) concocts a baroque excuse for being late to school. In the closer, a smooth-talking Grinch (not the green sort) sells a gullible Hoobub a piece of string. In a lively introduction, uber-fan Charles D. Cohen (The Seuss, The Whole Seuss, and Nothing but the Seuss, 2002) provides publishing histories, places characters and settings in Seussian context, and offers insights into, for instance, the origin of “Grinch.” Along with predictably engaging wordplay—“He climbed. He grew dizzy. His ankles grew numb. / But he climbed and he climbed and he clum and he clum”—each tale features bright, crisply reproduced renditions of its original illustrations. Except for “The Hoobub and the Grinch,” which has been jammed into a single spread, the verses and pictures are laid out in spacious, visually appealing ways.

Fans both young and formerly young will be pleased—100 percent. (Picture book. 6-9)

Pub Date: Sept. 9, 2014

ISBN: 978-0-385-38298-4

Page Count: 56

Publisher: Random House

Review Posted Online: June 4, 2014

Kirkus Reviews Issue: June 15, 2014

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