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MR. ZINGER'S HAT

A thoroughly engaging addition to the shelf of stories about storymaking.

Here's one answer, at least, to the archetypal question about where stories come from: Their authors pull them out of hats!

When old Mr. Zinger's windblown hat lands atop young Leo, the elder's suggestion that there must be a story inside it trying to get out leads the pair to make up a tale about a rich but bored lad who offers half his possessions to anyone who can cheer him up. The elder gently prods Leo to come up with all the major details—including the solution, which isn't a flat-screen television, a live monkey or other high-profile item but a simple ball and a boy to share. Zinger then departs, leaving Leo to continue playing alone with his ball as he was before...until a new friend named Sophie shows up to share both the ball and the creation of a brand new story from Leo's own cap. Petricic alternates loosely brushed, sketchily detailed watercolors to illustrate the frame story with even more simply drawn cartoons for the newly invented tales. In doing so, he expertly evokes the episode's understated warmth while cranking up the visual appeal with a set of distinctly delineated central characters interacting comfortably with one another.

A thoroughly engaging addition to the shelf of stories about storymaking. (Picture book. 6-9)

Pub Date: Aug. 14, 2012

ISBN: 978-1-77049-253-0

Page Count: 32

Publisher: Tundra Books

Review Posted Online: June 26, 2012

Kirkus Reviews Issue: July 15, 2012

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BOOKMARKS ARE PEOPLE TOO!

From the Here's Hank series , Vol. 1

An uncomplicated opener, with some funny bits and a clear but not heavy agenda.

Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.

Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.

An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)

Pub Date: Feb. 14, 2014

ISBN: 978-0-448-48239-2

Page Count: 128

Publisher: Grosset & Dunlap

Review Posted Online: Dec. 10, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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THE ULTIMATE BOOK OF CITIES

There’s lots to see and do in this big city.

A set of panoramic views of the urban environment: inside and out, above and belowground, at street level and high overhead.

Thanks to many flaps, pull tabs, spinners, and sliders, viewers can take peeks into stores and apartments, see foliage change through the seasons in a park, operate elevators, make buildings rise and come down, visit museums and municipal offices, take in a film, join a children’s parade, marvel as Christmas decorations go up—even look in on a wedding and a funeral. Balicevic populates each elevated cartoon view with dozens of tiny but individualized residents diverse in age, skin tone, hair color and style, dress, and occupation. He also adds such contemporary touches as an electrical charging station for cars, surveillance cameras, smartphones, and fiber optic cables. Moreover, many flaps conceal diagrammatic views of infrastructure elements like water treatment facilities and sources of electrical power or how products ranging from plate glass and paper to bread, cheese, and T-shirts are manufactured (realistically, none of the workers in the last are white). Baumann’s commentary is largely dispensable, but she does worthily observe on the big final pop-up spread that cities are always changing—often, nowadays, becoming more environmentally friendly.

There’s lots to see and do in this big city. (Informational novelty. 6-9)

Pub Date: April 4, 2017

ISBN: 979-1-02760-079-3

Page Count: 22

Publisher: Twirl/Chronicle

Review Posted Online: May 30, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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