No book this short should feel so slow.
A novel about the immigrant experience from an author known for his interrogations of colonialism.
Novelist, playwright, and essayist Phillips was born on St. Kitts, but he grew up in a predominantly white community in the United Kingdom. In his work, he explores the impact of British imperialism and the lives of Black people trying to find their way in a society that sees them as “other.” Here, Phillips presents Victor Johnson—the son of a sugar cane farmer—who emigrates from the Caribbean to England in the 1960s with the hope of becoming a journalist. To put this another way, Victor is a Black man trying to escape the limitations of colonialism by emigrating to the country that, through its imperial interventions, made his home a place he feels the need to escape. The narrative begins with Victor narrating his journey on a ship bound for England. When he reappears, he’s a handyman called Lucky in a shabby Notting Hill pub, and we see him through the eyes of another character—a white character. This shift in point of view is powerful in that it gives readers a sense of the context in which Victor is trying to remake himself. At the same time, a narrative that was already slow grinds to a near halt as Phillips describes the social universe of this pub in a way that does not serve the story. This is early on, and it sets the pace for the rest of the novel. Victor will eventually become a journalist. He will do his best to document the Thatcher years as a Black immigrant. But getting from the 1960s to the ’80s includes a lot of digressions into other character’s lives, and none of these characters emerges as terribly compelling—including Victor.
No book this short should feel so slow.Pub Date: Jan. 7, 2025
ISBN: 9780374613556
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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