by Caryl Phillips ‧ RELEASE DATE: June 1, 2011
Although linked by the author’s sense of history and his awareness of being an outsider, these pieces seem uncomfortable...
A collection of essays on the themes of race, the African diaspora, otherness and identity, from a Caribbean-born, British-raised, and United States–based writer with a sharp eye for the tensions of modern society.
In what could be seen as a sequel to A New World Order: Essays (2001), Phillips, who is better known as a novelist (In the Falling Snow, 2009, etc.), again explores issues of migration and shares his insights into writers and their role in shaping their world. Written over nearly two decades and seemingly for a variety of publications, these highly personal musings open with Phillips’s childhood in Leeds, where for a time he was the only black child in his school. For a Muslim newcomer, Ali, the difference was culture and religion. Though Phillips found he was “being coloured English,” he saw that Ali remained an outsider. “Distant Shores” contains six pieces on his perceptions and experiences in both Europe and Africa. Europe, he writes, is no longer white and no longer Judeo-Christian, and it never will be again. However, with the help of literature as a bulwark against intolerance, societies can make the necessary transition and transform themselves. The longest section, titled “Outside In,” looks at writers in exile—e.g., James Baldwin in France, Ha Jin in the United States and Chinua Achebe in Canada. The four essays in “Homeland Security,” written between 2001 and 2006, show Phillips’ disappointment over the failure of America to live up to its image as a land of freedom and equality, but also his hope that storytelling will restore the spirit of the country. Profiles, movie and book reviews and autobiographical and journalistic sketches complete the collection.
Although linked by the author’s sense of history and his awareness of being an outsider, these pieces seem uncomfortable together, as though forced to migrate from earlier settings to this new home.Pub Date: June 1, 2011
ISBN: 978-1-59558-650-6
Page Count: 352
Publisher: The New Press
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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