Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

The Trials of Christopher Mann

A lucid, gratifying novel with appeal for both LGBT readers and anyone interested in a particularly pivotal slice of San...

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

History and melodrama combine in this brisk novel centered on the murder of gay rights political advocate Harvey Milk.

Charles, a poet and English professor at the University of Montana, dramatically addresses an important era in San Francisco history with this tale of equality and sexual liberation. At the helm of his novel is Christopher Mann, a closeted gay man who moves to San Francisco in 1978 to begin law school after months of career and personal indecisiveness. Though he chalks up his clandestine gay tendencies to “experimentation, like dropping acid or parachuting,” Mann’s burgeoning homosexuality continues to simmer throughout law school against a revolutionary backdrop of changing societal mores. Impressively drawn supporting characters march in, adding flair and personality to Charles’ companionable narrative. Among them are Mann’s new best buddy, Jim Reilly; Gordo, a Hispanic homeless man with a secret history; Mexican-American student and Jim’s fiancee, Laura Esquival; and Wendy, another first-year student, who ends up interning for a legislator and becomes knee-deep in the historic anti–gay-teacher initiative, Proposition 6. Personal opinion heats up Mann’s torturous law classes and his personal life, a confused space he still hasn’t worked out while sleeping with Wendy. Ultimately, what drive the novel are the author’s impressive exploration of Mann’s internal struggle with his orientation, his parents’ generational divide, and the region’s embroilment in the prickly sexual politics of the late 1970s. Atmospheric and historically accurate, Charles’ memorable set pieces include Mann’s fidgety first time in a gay bar and a forbidden beachfront tryst with Jim, which ultimately sabotages his engagement. Perhaps most compelling is the pivotal era in which the novel is set, a time when Harvey Milk became the first openly gay Bay Area elected official while homophobic opponents such as Anita Bryant, Jim Briggs, and city supervisor Dan White staunchly advocated public intolerance. Charles expertly weaves his characters into the era’s drama while compassionately addressing issues such as coming out, bigotry, and the struggle for equality.

A lucid, gratifying novel with appeal for both LGBT readers and anyone interested in a particularly pivotal slice of San Francisco history.

Pub Date: April 26, 2013

ISBN: 978-1619290860

Page Count: 300

Publisher: Regal Crest Enterprises, LLC

Review Posted Online: April 2, 2015

Kirkus Reviews Issue: May 1, 2015

Categories:
Next book

THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 65


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 65


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Close Quickview