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GET A ROOM

An engaging tale that shows how thin the line between love and hate really is.

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Sworn enemies down on their luck realize they might not be so different in this romantic comedy.

In this genre, tropes reign supreme. The tension of the love story is not if the two leads will get together, but how. Sarah Webb and Brian Hawkins have been nemeses for years, since Sarah became best friends with Jess, Brian’s sister, in college. Now in their mid- and late-20s, both Sarah and Brian find themselves on the receiving end of proposals, she from her surgeon boyfriend, Tyler Ackerman, and he from his girlfriend, Hannah Abbott-Thorne (who appears in one of Dembowski’s previous books). Both reject the proposals and end up holed up in Jess’ guest bedroom while they sort out their next moves. Like many supposed enemies, they bicker, especially when it comes to who will get the bedroom—all the while tamping down their mutual attraction: “His eyes widened as he took her in…urging his nether regions to calm the fuck down”; “Not that Brian himself had ever given her an orgasm, but the dream version of him certainly had.” Then a work gala for the nonprofit that Sarah works for requires a date to avoid humiliation by Tyler, who’s bringing a model. Sarah’s choice of Brian as her escort proves fortuitous; they make a great impression and leave Tyler seething with jealousy. They also kiss, but Sarah, believing her friendship with Jess is at stake, puts a pin in it. Thus begins the book’s middle section of mounting tension and red herrings as other potential partners and distractions skillfully enter the picture. Additional threads keep the protagonists busy, such as Brian’s desire to return to New York City and Sarah’s still having to work with Tyler. Each of the leads has some humanizing quirks—Brian loves the Star Wars saga and Sarah adores Zumba classes—but neither character feels particularly unique. Still, for fans of more adult romances, Dembowski ensures the intimate scenes hit their marks. The author believably conveys two people who ultimately care deeply about each other.

An engaging tale that shows how thin the line between love and hate really is.

Pub Date: July 18, 2023

ISBN: 9781958231197

Page Count: 310

Publisher: Red Adept Publishing

Review Posted Online: June 27, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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UNDER LOCH AND KEY

This slightly smutty monster romance feels more like a spectacle than a deliberately paced story.

A woman travels to Scotland to unravel her late father’s past and meets a grumpy Scotsman with his own secrets.

Keyanna MacKay was brought up by a single father who was always tight-lipped about his upbringing, so when he dies, she’s left with no family. Key decides that learning about his life before he left Scotland would be a good way of keeping his memory close and perhaps connecting with long-lost relatives. She discovers a grandmother and other extended family in Scotland, but they’re hardly welcoming. “I know who you are....And you shouldn’t have come,” are the first words her grandmother says to her. Lachlan Greer has little patience for the American he’s already written off as clueless. When he witnesses Key’s snubbing by her family members, his grumpy demeanor gives way to begrudging pity, and he starts helping her navigate the local community and try to build a bridge to her grandmother. At first, this book seems to be a contemporary romance with light magical undertones involving a family’s mysterious curse, but it quickly devolves into a monster romance heavy on shock value. While monster romance can be fun, it doesn’t work here. Key and Lachlan’s chemistry is bumpy, and the pace of their relationship as they go from disastrous first impressions to a happily ever after is all over the place. Ferguson tries to combine too many elements—including a grumpy-meets-sunshine pairing, a mystery with sensitive family dynamics, and the complicated logistics of falling in love with a cryptid—leaving several threads not fully resolved. The setting is the most positive element, with Scotland’s lush greenery providing the perfect whimsical background for hunting down long-buried family secrets.

This slightly smutty monster romance feels more like a spectacle than a deliberately paced story.

Pub Date: Dec. 3, 2024

ISBN: 9780593816851

Page Count: 416

Publisher: Berkley

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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