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WHEN WE'RE THIRTY

A convincing tale about the evolution of a friendship and a romance.

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Two old college friends get more than they bargained for when they revive a youthful marriage pact in this debut novel about millennial self-discovery.

As Hannah Abbott celebrates her 30th birthday in the office of Deafening Silence New York, the indie music magazine where she works, she is overwhelmed by complex emotions. Social media posts spark nostalgia with pictures of her with college friends Kate Novack and Will Thorne, “three musketeers” navigating the challenges of young adulthood. The mysterious delivery of white carnations stirs her curiosity, as she’s pretty sure her boyfriend, Brian, would have no clue they are her favorite. Overlying everything is a vague but constant sense of dissatisfaction that interferes with her sense of accomplishment. She loves her job, but it offers no medical benefits to help her deal with a worrying knee injury. Her relationship with Brian feels distant and unfulfilling, though she can’t put her finger on exactly why. Into this emotional turmoil comes Will, returning to Hannah’s life to make good on a pact the two best friends made in college to marry each other if neither had found a mate by the age of 30. Will’s life is also in free fall, triggered by the discovery that his girlfriend, Madison, was cheating on him with his older brother, Jon. Diving into a rabbit hole of depression and alcohol has not improved Will’s position at the family firm, run with an iron hand by his father, Jonathan. Marriage to each other could provide both Hannah and Will with the stability they need, but will it strengthen or destroy their friendship? Writing within a sometimes-formulaic genre, Dembowski has created genuinely appealing characters in Hannah and Will, and she succeeds in making their unusual relationship journey absorbing and satisfying. She has a sure hand with millennial vernacular, including texting and the ever present social media, as in Hannah’s sister’s succinct text response to the protagonist’s announcement of her sudden marriage: “Ruh-roh—preggo?” If some of the obstacles to romance seem a bit forced (Hannah’s obliviousness to Will’s discomfort around Madison and Jon is hard to believe), the novel’s grounding in its era never is.

A convincing tale about the evolution of a friendship and a romance.

Pub Date: April 21, 2021

ISBN: 978-1-94-805168-2

Page Count: 322

Publisher: Red Adept Publishing

Review Posted Online: June 4, 2021

Kirkus Reviews Issue: July 15, 2021

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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UNDER LOCH AND KEY

This slightly smutty monster romance feels more like a spectacle than a deliberately paced story.

A woman travels to Scotland to unravel her late father’s past and meets a grumpy Scotsman with his own secrets.

Keyanna MacKay was brought up by a single father who was always tight-lipped about his upbringing, so when he dies, she’s left with no family. Key decides that learning about his life before he left Scotland would be a good way of keeping his memory close and perhaps connecting with long-lost relatives. She discovers a grandmother and other extended family in Scotland, but they’re hardly welcoming. “I know who you are....And you shouldn’t have come,” are the first words her grandmother says to her. Lachlan Greer has little patience for the American he’s already written off as clueless. When he witnesses Key’s snubbing by her family members, his grumpy demeanor gives way to begrudging pity, and he starts helping her navigate the local community and try to build a bridge to her grandmother. At first, this book seems to be a contemporary romance with light magical undertones involving a family’s mysterious curse, but it quickly devolves into a monster romance heavy on shock value. While monster romance can be fun, it doesn’t work here. Key and Lachlan’s chemistry is bumpy, and the pace of their relationship as they go from disastrous first impressions to a happily ever after is all over the place. Ferguson tries to combine too many elements—including a grumpy-meets-sunshine pairing, a mystery with sensitive family dynamics, and the complicated logistics of falling in love with a cryptid—leaving several threads not fully resolved. The setting is the most positive element, with Scotland’s lush greenery providing the perfect whimsical background for hunting down long-buried family secrets.

This slightly smutty monster romance feels more like a spectacle than a deliberately paced story.

Pub Date: Dec. 3, 2024

ISBN: 9780593816851

Page Count: 416

Publisher: Berkley

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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