A sweet, funny, and angst-filled romance with a speculative twist.
A young woman meets the love of her life on the subway, but there’s one problem: Her dream girl is actually a time traveler from the 1970s.
Twenty-three-year-old August Landry arrives in New York with more cynicism than luggage (she can fit everything she owns into five boxes, and she’d love to downsize to four), hoping to blend in and muddle through. She spent most of her childhood helping her amateur sleuth mother attempt to track down August’s missing uncle, and all that detective work didn’t leave a lot of time for things like friendship and fun. But she ends up finding both when she moves into an apartment full of endearing characters—Niko, a trans psychic whose powers are annoyingly strong; his charismatic artist girlfriend, Myla; and their third roommate, a tattoo artist named Wes. And then, on a fateful subway ride, she meets Jane. Jane isn’t like any other girl August has ever met, and eventually, August finds out why—Jane, in her ripped jeans and leather jacket, is actually a time traveler from the 1970s, and she’s stuck on the Q train. As August, who's bisexual, navigates the complexity of opening her heart to her first major crush, she realizes that she might be the only one with the knowledge and skills to help Jane finally break free. McQuiston, author of the beloved Red, White, and Royal Blue (2019), introduces another ensemble full of winning, wacky, impossibly witty characters. Every scene that takes place with August’s chosen family of friends crackles with electricity, warmth, and snappy pop-culture references, whether they’re at a charmingly eccentric 24-hour pancake diner or a drag queen brunch. But there are also serious moments, both in the dramatic yearning of August and Jane’s limited love affair (it can be hard to be romantic when all your dates take place on the subway) and in the exploration of the prejudice and violence Jane and her friends faced as queer people in the 1970s. The story does drag on a bit too long, but readers who persevere through the slower bits will be rewarded with a moving look at the strength of true love even when faced with seemingly insurmountable obstacles.
A sweet, funny, and angst-filled romance with a speculative twist.Pub Date: June 1, 2021
ISBN: 978-1-2502-4449-9
Page Count: 432
Publisher: St. Martin's Griffin
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
