Bare trees, a white background to the images, and the muted colors suggest this takes place in winter; companionship in the...
This gentle story about friendship, devotion, and commitment features an unlikely pair: an elderly man and an inanimate (or is it?), inarticulate inflatable polar bear that adorns the rooftop of the factory where the man works.
Every day, white, gray-haired Iver takes his lunch on the roof, where he sits with this bear, dubbed Ellsworth. Iver takes it upon himself to care for Ellsworth, clearing away dead leaves, snow, or rain streaks, depending on the season, and making sure his ropes are fastened. One day, Iver is very slow going about his business, and he tells Ellsworth he is about to retire. The following spread is an exemplar of restraint with few words (“ ‘I’m going to miss you,’ he says”); this is succeeded by a few spreads with no words, showing only in pictures the characters’ stories in parallel: Iver eating alone in a diner and going to the movies by himself; Ellsworth loosed from his rooftop ropes, blowing across the city. The happy ending resolves neatly when Ellsworth lands—where else?—on the roof of Iver’s home. Larson’s pencil-and-watercolor illustrations fit the tone, portraying a riverside industrial city with rolling hills beyond in suitably subtle grays, browns, and greens.
Bare trees, a white background to the images, and the muted colors suggest this takes place in winter; companionship in the winter of life is a cozy theme, portrayed comfortingly here. (Picture book. 3-7)Pub Date: May 22, 2018
ISBN: 978-0-999-0249-1-1
Page Count: 40
Publisher: Ripple Grove
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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