A selection of essays about the Mortal Instruments series edited by the series’ author offers a couple of gems and a lot that’s not.
Amid the mostly shallow veneration, a few entries stand out. Kate Milford's "Unhomely Places" is not so much about the Mortal Instruments series as it is a love song to New York as seen through the uncanny lens of the books. Michelle Hodkin, in "Simon Lewis: Jewish, Vampire, Hero," examines both the parallels and the contradictions of Judaism and vampirism, closely reading Simon to see the heroism in his complex combination of the two. Other essays miss the mark. Kami Garcia's "Why the Best Friend Never Gets the Girl," for example, uses John Hughes movies to explain why Simon would never date Clary; are there no recent appropriate cultural touchstones? Multiple entries heap praise upon the series for its incorporation of queer relationships and mixed-race characters, though none of those essays point out that these queer and mixed-race characters are never the protagonists. Most of the entries focus on the series' romantic aspects: incestuous tensions, one-sided crushes, brotherly love. Textual analysis sits side by side with "Malec" as a portmanteau describing the Magnus/Alec relationship, "OTP" to refer to the idea of a fan's one true pairing and Facebook relationship statuses to explain character interactions.
Self-serving, but enjoyable for committed fans . (Nonfiction 15-18)Pub Date: Jan. 29, 2013
ISBN: 978-1-937856-22-9
Page Count: 256
Publisher: Smart Pop/BenBella
Review Posted Online: Dec. 12, 2012
Kirkus Reviews Issue: Dec. 15, 2012
Categories: TEENS & YOUNG ADULT SCIENCE FICTION & FANTASY
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A stealth witch and a devout witch hunter are forced to marry.
In this French-flavored fantasy world, witches are hunted down by the Church’s Chasseurs and burned at the stake; they retaliate against this genocidal crusade through vicious terrorist attacks. Thief Louise le Blanc wants none of that—she’s left her witch life behind. But Lou ends up on Chasseur captain Reid Diggory’s radar when a heist goes bad; his attempt to catch her lands them in a situation so compromising that the archbishop suggests marriage to save face. Lou’s initial priority is self-protection—wanting to avoid both fallout from the heist and a dangerous figure from her past—and she’s fine with using Reid. The slow-burn, opposites-attract romance between crass, irreverent Lou and prim and proper Reid gets very hot and sexy once it ignites. Lou sees firsthand the damages some witches do to innocents, has her presumptions about individual Chasseurs challenged, and also sees up close the horrors Chasseurs perpetrate. Despite occasional pacing hiccups and an easily guessed twist, the secondary characters will charm readers, and the story picks up when Lou’s past dangerously catches up to her, revealing the true stakes. Though at heart a romance, rich second-tier characters round out the shades-of-gray, morality-and-empathy themes. Witches, Chasseurs, and some secondary characters come in all colors; the leads appear white. The ending screams sequel.
Will cast a spell on romance fans. (Fantasy. 15-adult)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-287802-1
Page Count: 528
Publisher: HarperTeen
Review Posted Online: June 18, 2019
Kirkus Reviews Issue: July 15, 2019
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BOOK REVIEW
In a remote part of Utah, in a “temple of excellence,” the best of the best are recruited to nurture their talents.
Redemption Preparatory is a cross between the Vatican and a top-secret research facility: The school is rooted in Christian ideology (but very few students are Christian), Mass is compulsory, cameras capture everything, and “maintenance” workers carry Tasers. When talented poet Emma disappears, three students, distrusting of the school administration, launch their own investigation. Brilliant chemist Neesha believes Emma has run away to avoid taking the heat for the duo’s illegal drug enterprise. Her boyfriend, an athlete called Aiden, naturally wants to find her. Evan, a chess prodigy who relies on patterns and has difficulty processing social signals, believes he knows Emma better than anyone. While the school is an insidious character on its own and the big reveal is slightly psychologically disturbing, Evan’s positioning as a tragic hero with an uncertain fate—which is connected to his stalking of Emma (even before her disappearance)—is far more unsettling. The ’90s setting provides the backdrop for tongue-in-cheek technological references but doesn’t do anything for the plot. Student testimonials and voice-to-text transcripts punctuate the three-way third-person narration that alternates among Neesha, Evan, and Aiden. Emma, Aiden, and Evan are assumed to be white; Neesha is Indian. Students are from all over the world, including Asia and the Middle East.
Only marginally intriguing. (Mystery. 15-18)Pub Date: April 14, 2020
ISBN: 978-0-06-266203-3
Page Count: 416
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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