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MURDER AT BEAULIEU ABBEY

Historical detail abounds in a fast-paced mystery that’s one of Clark’s best.

Barely recovered from her last outing in Murder at Whitby Abbey (2019), Sister Hildegard is sent on a mission to distant Beaulieu Abbey in February 1390.

A papal schism is ripping their order apart, and the prioress has found a good excuse to send Hildegard down from Yorkshire to spy on Beaulieu, on the south coast of England, which is much closer to France and the anti-pope. Sir William de Hutton has arranged his son’s betrothal to a 12-year-old Cornish heiress, and Hildegard is going to escort the girl back to Swyne, where she’ll live until she’s old enough to marry. Hildegard's companions, Brother Gregory and Brother Egbert, are well traveled and experienced in warfare. The ship carrying Lady Elowen from Cornwall docks an hour’s walk from Beaulieu; for some reason, Elowen is sent ashore first with a casket of gold and is immediately abducted by unknown men. A large area around the abbey is enclosed, but after days when every available man was pressed into the search, Elowen is still missing. William de Hutton puts up a big fuss, but Hildegard, who knows his many flaws, doesn’t completely trust him or the monks who’ve split the abbey over the schism. Outlaws who’ve been granted sanctuary by the Abbey also live nearby; certainly they’d be tempted by gold. The final piece of the puzzle is the notorious gang leader Black Harry. When Hildegard is captured by Black Harry, she’s placed in great danger but drawn much closer to finding Elowen.

Historical detail abounds in a fast-paced mystery that’s one of Clark’s best.

Pub Date: June 1, 2021

ISBN: 978-0-7278-9089-4

Page Count: 256

Publisher: Severn House

Review Posted Online: March 30, 2021

Kirkus Reviews Issue: April 15, 2021

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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I, MEDUSA

An engaging, imaginative narrative hampered by its lack of subtlety.

The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.

In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.

An engaging, imaginative narrative hampered by its lack of subtlety.

Pub Date: Nov. 18, 2025

ISBN: 9780593733769

Page Count: 336

Publisher: Random House

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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