In a crumbling castle in Cornwall, two inauthentic men from vastly different registers of Regency society find in each other...
A London swindler falls for his mark, a mad earl, in this Cornwall-set Regency romance.
As Penkellis Castle falls to ruins around him, Lawrence Browne, the Earl of Radnor, hides in the tower, working feverishly on inventing a telegraphlike device. His servants have fled, the villagers think he’s demonic, and Lawrence himself is convinced the madness and depravity that consumed his father and brother will claim his life as well. This gothic setup is punctured when professional confidence man Georgie Turner arrives on Radnor’s moldering doorstep, posing as a secretary. Georgie recently aborted a lucrative assignment thanks to a sudden bout of conscience, a development his furious boss would like to properly, and violently, acknowledge. He’s not impressed with the Mad Earl: “I had hoped for some good old fashioned howling at the moon, and all you do is build ingenious inventions and eat too much ham.” Georgie is beautiful, slender, and graceful to Lawrence’s bearded, hulking form. Lawrence dismisses his cool and neat secretary as a London dandy, but Georgie, a swindler practically from his birth in the slums of London, quickly, and astutely, assesses the situation and begins putting Penkellis to rights while at the same time appraising its valuables. Sebastian (The Soldier’s Scoundrel, 2016) nicely contrasts Georgie’s frankness and sexual openness with the deceitfulness at his core. Sebastian infuses a romance that could have been dark with a constant thrum of mild humor and steady wonder: “Then Radnor flashed him one of his rare smiles, and Georgie felt simultaneously like he had been given a precious gift and like he had been hit in the head with a shovel.” Lawrence’s character is complicated by social anxiety and sexual shame over his “perverse tastes”: a thornier nest of issues than “madness” but an easier one to untangle. Georgie’s change of heart is less effective because he was never much of a convincing scoundrel, but readers will be thrilled by the way his empowering love for Lawrence comes back to him in a time of need.
In a crumbling castle in Cornwall, two inauthentic men from vastly different registers of Regency society find in each other an authentic and passionate love. Another exquisitely written, deeply romantic novel from Sebastian.Pub Date: Feb. 7, 2017
ISBN: 978-0-06-264250-9
Page Count: 352
Publisher: Avon/HarperCollins
Review Posted Online: Jan. 22, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 6, 2014
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