A well-rounded portrait of an imperious woman and her eventful life.
Biography of a woman of “powerful allure” who attracted men of genius.
Biographer, historian, and filmmaker Haste (Craigie Aitchinson: A Life in Colour, 2014, etc.) creates a sharp, sympathetic portrait of the sexually and emotionally voracious Alma Schindler Mahler Gropius Werfel (1879-1964), whose three husbands and many lovers brought her both prestige and notoriety. A gifted composer, she gave up a career in music to devote herself to her first husband, Gustav Mahler, who swept her off her feet while at the same time stringently delineating the terms of their marriage: “It’s not so simple to marry a person like me,” he told her. “I am free and must be free. I cannot be bound, or tied to one spot.” He was 41 and she 22 when they married, and although both had doubts, Alma was convinced that she could not live without him. “I felt that only he could shape my life,” she recalled. “I sensed his true worth and significance, which placed him streets ahead of every other man I had met.” There was no lack of men—artists, musicians, and other creative types—in pursuit of the beautiful Alma, and Haste draws largely on Alma’s sometimes self-serving diaries and memoirs to recount her affairs before, after, and during her several marriages. Life with Mahler proved difficult. He was demanding, and without her own music to sustain her, Alma felt bored, suffocated, and subject to “nervous torments.” After Mahler’s death, “a series of suitors” lavished attention on the 32-year-old widow, “a statuesque beauty with a magnetic charisma.” As much as she longed to return to composing, she longed, even more, to be worshiped. She married handsome young architect Walter Gropius, had a passionate affair with “the provocative, savage, eccentric artist” Oscar Koskoschka, divorced Gropius, and eventually married poet Franz Werfel. Haste is cleareyed about Alma’s emotional neediness, her “occasional intransigence,” and her “deeply conservative, anti-Semitic” political views.
A well-rounded portrait of an imperious woman and her eventful life.Pub Date: Sept. 10, 2019
ISBN: 978-0-465-09671-8
Page Count: 368
Publisher: Basic Books
Review Posted Online: June 8, 2019
Kirkus Reviews Issue: July 1, 2019
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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