by Catherine Ada Campbell ‧ RELEASE DATE: N/A
A well-researched account of coming to terms with childhood damage.
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Campbell blends memoir and science-based research on trauma in this nonfiction debut.
The author begins with a phone conversation she had as a 34-year-old with her estranged older brother, Lee. When she asked him a seemingly innocuous question about her lifelong fear of bees, Lee revealed a jarring fact about their early childhood: They were abandoned by their parents every summer. And, as abusive as their alcoholic father may have been, per Lee, “It was worse at some of those places we stayed.” To Campbell, whose memories of her childhood featured idyllic images of summers spent at carnivals, riding in parade floats, and taking ballet lessons, this revelation of neglect and abuse came as a shock. The rest of the book focuses on the author’s efforts to come to grips with her childhood trauma and explores how that damage affected her life well into adulthood as a single, 20-year-old mom. Opening the book with a trigger warning, Campbell openly discusses domestic violence, both in her childhood and during her first marriage to a traumatized, alcoholic, and abusive Vietnam War veteran. While much of the work is autobiographical in nature, the author effectively combines her personal story with research from therapists and psychologists. (When discussing why her own childhood memories proved to be false, Campbell references the science of brain development in children.) This research is backed by nearly 80 scholarly endnotes. The book also includes a helpful multipage list of references for readers struggling with various mental health issues, including anger management, anxiety, and eating disorders. The author implores readers to seek professional help in addressing their own mental health, noting that “every time I open myself up to the truths I don’t want to see or admit, I make progress.” A former radio morning show host, Campbell writes in an approachable style, and the text includes ample photographs, diagrams, and other visual elements.
A well-researched account of coming to terms with childhood damage.Pub Date: N/A
ISBN: 9798990509207
Page Count: 368
Publisher: N/A
Review Posted Online: Aug. 26, 2024
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
by Michelle Obama with Meredith Koop ‧ RELEASE DATE: Nov. 4, 2025
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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