Introduces two strong Black protagonists who speak for the voiceless and fight for the lost.
Black women are going missing in Chicago, and Redding Stark, a Black woman cop, refuses to give up on their cases.
Even after getting shot and then shooting an innocent civilian, and even as her son and husband drift further and further away from her, Redding follows what she refers to as “a tortuous kind of calling…[that] requires the sacrifice of everything.” When influencer Natalie Moore disappears from her room at The Ivory, an exclusive hotel, Redding believes she might be victim number six—if only Redding can find the connection among them. One of the last people to have seen the latest missing woman is Giovanni Mason, the first Black chief concierge at The Ivory, who was caught on camera slapping Natalie at dinner the night she disappeared. Gio and Natalie have a complicated history; in fact, everything feels complicated for Gio at present, as she struggles to balance her job making other people happy with any sense of what she wants in life, and as she watches her mother, who worked in housekeeping at The Ivory for decades, succumb to cancer. Soon she finds herself drawn into Redding’s case, determined to conduct her own investigation as they get pulled deeper and deeper into a corrupt and violent conspiracy. There is a very noir tone to this novel: the invocation of the city; the uncovering of evil at high levels of power; the wounded, vulnerable detective—and, in many ways, the femme fatale—all these elements work to amplify the search for social justice, the pervasive rage, of West’s narrative. For, as she tells us in Redding’s voice, “Only apathy remains when Black women go missing. So, we try and save ourselves.” The ending reiterates that the quest is far from over.
Introduces two strong Black protagonists who speak for the voiceless and fight for the lost.Pub Date: June 9, 2026
ISBN: 9780778306399
Page Count: 368
Publisher: Park Row Books
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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