Ah, what fun. Don’t miss it.
The story of a family-run bar on a tiny island off the coast of Sicily, from 1914 to 2009.
This knockout adult debut by young British author Banner (she started writing teen novels at age 14) is guaranteed to draw comparisons to Beautiful Ruins, Cutting for Stone, and The House of the Spirits, whisking us away to a world grounded in both reality and myth, filled with marvelously peculiar characters, plotted on a grand scale. This one begins in the early 20th century with an Italian orphan, Amadeo Esposito, who overcomes his circumstances to study medicine, then answers a call for a physician on the (fictional) island of Castellamare. He arrives just in time for the annual feast for the island’s patron saint. The story of Sant’Agata, who saved the island from a plague of sorrows, is told to Amadeo by the beautiful schoolteacher Pina Vella; he adds it to the compendium of stories he collects in a red leather book given him by his foster father. At first, the villagers embrace Amadeo; he marries Pina and has a son. But thanks to past judgment errors of his own and the corrosive effects of the constant flow of gossip in the town, Amadeo is disgraced and removed from his post. To earn a living, he and Pina reopen the bar in the long-neglected House at The Edge of Night; there, three generations of Espositos will serve coffee, rice balls, and limoncellos to locals and visitors. World wars I and II, the Fascist period, and the financial crisis of 2009 all play critical roles in the plot, but so do the folk tales from Amadeo’s logbook, reprinted at the start of each section. So you get both this: “In the bar, there was some disagreement over how the trouble had started....Some of the customers maintained that it had begun with two rich Americans, Freddie and Fannie, others that it had started with two brothers named Lehman…” and this: “Two brothers were fishermen upon the sea, both very handsome and so alike that nobody could tell them apart, and both very poor.”
Ah, what fun. Don’t miss it.Pub Date: July 12, 2016
ISBN: 978-0-8129-9879-5
Page Count: 432
Publisher: Random House
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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