Ah, what fun. Don’t miss it.
The story of a family-run bar on a tiny island off the coast of Sicily, from 1914 to 2009.
This knockout adult debut by young British author Banner (she started writing teen novels at age 14) is guaranteed to draw comparisons to Beautiful Ruins, Cutting for Stone, and The House of the Spirits, whisking us away to a world grounded in both reality and myth, filled with marvelously peculiar characters, plotted on a grand scale. This one begins in the early 20th century with an Italian orphan, Amadeo Esposito, who overcomes his circumstances to study medicine, then answers a call for a physician on the (fictional) island of Castellamare. He arrives just in time for the annual feast for the island’s patron saint. The story of Sant’Agata, who saved the island from a plague of sorrows, is told to Amadeo by the beautiful schoolteacher Pina Vella; he adds it to the compendium of stories he collects in a red leather book given him by his foster father. At first, the villagers embrace Amadeo; he marries Pina and has a son. But thanks to past judgment errors of his own and the corrosive effects of the constant flow of gossip in the town, Amadeo is disgraced and removed from his post. To earn a living, he and Pina reopen the bar in the long-neglected House at The Edge of Night; there, three generations of Espositos will serve coffee, rice balls, and limoncellos to locals and visitors. World wars I and II, the Fascist period, and the financial crisis of 2009 all play critical roles in the plot, but so do the folk tales from Amadeo’s logbook, reprinted at the start of each section. So you get both this: “In the bar, there was some disagreement over how the trouble had started....Some of the customers maintained that it had begun with two rich Americans, Freddie and Fannie, others that it had started with two brothers named Lehman…” and this: “Two brothers were fishermen upon the sea, both very handsome and so alike that nobody could tell them apart, and both very poor.”
Ah, what fun. Don’t miss it.Pub Date: July 12, 2016
ISBN: 978-0-8129-9879-5
Page Count: 432
Publisher: Random House
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
BOOK REVIEW
BOOK REVIEW
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...
Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.
Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility(2011).Pub Date: Sept. 6, 2016
ISBN: 978-0-670-02619-7
Page Count: 480
Publisher: Viking
Review Posted Online: June 20, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.
Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.
Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.Pub Date: April 10, 2018
ISBN: 978-1-5011-2801-1
Page Count: 416
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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