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ELEVENTH HOUR

Coulter’s tone softens the story’s edge and, despite two feisty heroines facing down the killer, leaves the climax as mushy...

Following Hemlock (2001), the seventh in Coulter’s FBI thrillers, which she seemingly bangs out as effortlessly as she did her 37 historical romances that rang bells on the Times’s bestseller list. Here, we’re introduced to young Special Agent Dane Carver, though many old-timers show up as well, including Dillon Savich, chief of the Criminal Apprehension Unit at FBI headquarters, and his wife, Special Agent Lacy Sherlock Savich. Off in San Francisco, Dane’s twin brother, Father Michael Joseph Carver, a priest, is murdered at midnight by a sociopath serial killer who has come to big Saint Bartholomew’s large dark empty spaces for an unrepentant confession. When Father Michael Joseph explains to the nut that he clearly lacks any remorse for his varied murders, and thus his confession is not binding on priestly silence, the killer shoots him through the forehead in the confessional, then walks out amused and whistling. But he wasn’t alone. Nick (for Nicole) Jones, a homeless woman Father Michael Joseph wanted to help, was hiding in a pew following the shot and saw the perp. This becomes the first lead for San Francisco detectives on the case, now joined by Dane, who promises not to bring the FBI into it.

Coulter’s tone softens the story’s edge and, despite two feisty heroines facing down the killer, leaves the climax as mushy as a rain-soaked lawn. See Tess Gerritsen’s Boston PD homicide procedural The Apprentice [p. TK] for real bloodwork.

Pub Date: July 22, 2002

ISBN: 0-399-14877-9

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2002

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THE FAMILY UPSTAIRS

This thriller is taut and fast-paced but lacks compelling protagonists.

Three siblings who have been out of touch for more than 20 years grapple with their unsettling childhoods, but when the youngest inherits the family home, all are drawn back together.

At the age of 25, Libby Jones learns she has inherited a large London house that was held in a trust left to her by her birthparents. When she visits the lawyer, she is shocked to find out that she was put up for adoption when she was 10 months old after her parents died in the house in an apparent suicide pact with an unidentified man and that she has an older brother and sister who were teenagers at the time of their parents' deaths and haven't been seen since. Meanwhile, in alternating narratives, we're introduced to Libby's sister, Lucy Lamb, who's on the verge of homelessness with her two children in the south of France, and her brother, Henry Lamb, who's attempting to recall the last few disturbing years with his parents during which they lost their wealth and were manipulated into letting friends move into their home. These friends included the controlling but charismatic David Thomsen, who moved his own wife and two children into the rooms upstairs. Henry also remembers his painful adolescent confusion as he became wildly infatuated with Phineas, David’s teenage son. Meanwhile, Libby connects with Miller Roe, the journalist who covered the story about her family, and the pair work together to find her brother and sister, determine what happened when she was an infant, and uncover who has recently been staying in the vacant house waiting for Libby to return. As Jewell (Watching You, 2018, etc.) moves back and forth from the past to the present, the narratives move swiftly toward convergence in her signature style, yet with the exception of Lucy’s story, little suspense is built up and the twists can’t quite make up for the lack of deep characters and emotionally weighty moments.

This thriller is taut and fast-paced but lacks compelling protagonists.

Pub Date: Nov. 5, 2019

ISBN: 978-1-5011-9010-0

Page Count: 320

Publisher: Atria

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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RECURSION

An exciting, thought-provoking mind-bender.

In Crouch’s sci-fi–driven thriller, a machine designed to help people relive their memories creates apocalyptic consequences.

In 2018, NYPD Detective Barry Sutton unsuccessfully tries to talk Ann Voss Peters off the edge of the Poe Building. She claims to have False Memory Syndrome, a bewildering condition that seems to be spreading. People like Ann have detailed false memories of other lives lived, including marriages and children, but in “shades of gray, like film noir stills.” For some, like Ann, an overwhelming sense of loss leads to suicide. Barry knows loss: Eleven years ago, his 15-year-old daughter, Meghan, was killed by a hit-and-run driver. Details from Ann’s story lead him to dig deeper, and his investigation leads him to a mysterious place called Hotel Memory, where he makes a life-altering discovery. In 2007, a ridiculously wealthy philanthropist and inventor named Marcus Slade offers neuroscientist Helena Smith the chance of a lifetime and an unlimited budget to build a machine that allows people to relive their memories. He says he wants to “change the world.” Helena hopes that her mother, who suffers from Alzheimer’s, will benefit from her passion project. The opportunity for unfettered research is too tempting to turn down. However, when Slade takes the research in a controversial direction, Helena may have to destroy her dream to save the world. Returning to a few of the themes he explored in Dark Matter (2016), Crouch delivers a bullet-fast narrative and raises the stakes to a fever pitch. A poignant love story is woven in with much food for thought on grief and the nature of memories and how they shape us, rounding out this twisty and terrifying thrill ride.

An exciting, thought-provoking mind-bender.

Pub Date: June 11, 2019

ISBN: 978-1-5247-5978-0

Page Count: 336

Publisher: Crown

Review Posted Online: March 17, 2019

Kirkus Reviews Issue: April 1, 2019

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