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THE BLACK PRINCE OF FLORENCE

THE SPECTACULAR LIFE AND TREACHEROUS WORLD OF ALESSANDRO DE' MEDICI

Medici fans will expand their awareness of the family’s broad reach, and Renaissance students will discover Machiavelli’s...

An exploration of the life of a lesser-known Medici: Alessandro (1510-1537).

Fletcher (History and Heritage/Swansea Univ.; Diplomacy in Renaissance Rome: The Rise of the Resident Ambassador, 2015, etc.) displays an excellent comprehension of the Medici family and Renaissance political maneuvering. The connections between ruling and royal families, intermarriages, feuds, and assassinations can boggle the mind, but she carefully separates friends from enemies (often, one became the other). Alessandro’s appointment as Duke of Florence was thanks in great part to his uncle Pope Clement VII and Holy Roman Emperor Charles V. Alessandro and his cousin Ippolito were both illegitimate, but Alessandro was always referred to as “Moor,” and Ippolito was favored. Alessandro's mother was a dark-skinned maid, and while he was also dark-skinned, in 16th-century Italy, few knew of his ethnicity, and racism was not as pronounced as now. Pope Leo X, also an uncle, favored his nephews, educating them and slating Ippolito to take over power in Florence. For unknown reasons—although Ippolito’s expulsion from Rome for vandalism might play a part—Leo switched his support to Alessandro, creating an enemy of Ippolito. Alessandro was especially gifted in the stately arts and ensured the power of his family for longer than would have been possible without him. His peacemaking at the Treaty of Barcelona guaranteed the Medici’s power in Florence, and he also secured the marriage of Catherine de’ Medici to the French king. Alessandro may have been tyrannical and savage, but then again, maybe not. The author mostly leaves readers to sort it out, carefully noting his subject’s politics and accomplishments during his short six-year reign.

Medici fans will expand their awareness of the family’s broad reach, and Renaissance students will discover Machiavelli’s models for The Prince.

Pub Date: Sept. 1, 2016

ISBN: 978-0-19-061272-6

Page Count: 336

Publisher: Oxford Univ.

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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