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MISSING

As 13-year-old Maxine assaults an arcade video game, the reader is dropped into the fray and knows that this girl is suffering from more than teen angst. It has been ten months since her brother Derek ran away from home: a final desperate solution to escape a rabid school bully. Derek had found his parents unhelpful, and they are now so burdened with sorrow that they hardly notice Maxine except to scold. When Derek is confirmed dead, Maxine’s grief is complicated by a sense of relief that is soon followed by desolation as she sees that his death has only made him a bigger presence in the household. The story takes an eerie turn when Maxine starts getting phone calls from the cemetery, the ghostly voice of Derek coming down the line, and her mother begins sensing Derek’s presence through mediums. Is someone playing a wicked trick? Is Derek a ghost? Is Derek still alive? The pace quickens and MacPhail, a newcomer to US publishing, steadily delivers goose-bump-raising tidbits to keep those pages turning. The tale is so involving that when the ending arrives it is too soon, but certainly not disappointing, as it is both frightening and triumphant. The story, with characters as palpable as this page, works on many levels: it explores the complexity of grief and love, the devastating fact of runaways living on the street, and the powerful menace of bullies, all in the guise of a good old-fashioned ghost story. (Fiction. 12-17)

Pub Date: Nov. 1, 2002

ISBN: 1-58234-773-5

Page Count: 192

Publisher: Bloomsbury

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2002

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BRONX MASQUERADE

At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...

This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.

The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”

At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)

Pub Date: Jan. 1, 2001

ISBN: 0-8037-2569-8

Page Count: 176

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2001

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THE LINES WE CROSS

A meditation on a timely subject that never forgets to put its characters and their stories first

An Afghani-Australian teen named Mina earns a scholarship to a prestigious private school and meets Michael, whose family opposes allowing Muslim refugees and immigrants into the country.

Dual points of view are presented in this moving and intelligent contemporary novel set in Australia. Eleventh-grader Mina is smart and self-possessed—her mother and stepfather (her biological father was murdered in Afghanistan) have moved their business and home across Sydney in order for her to attend Victoria College. She’s determined to excel there, even though being surrounded by such privilege is a culture shock for her. When she meets white Michael, the two are drawn to each other even though his close-knit, activist family espouses a political viewpoint that, though they insist it is merely pragmatic, is unquestionably Islamophobic. Tackling hard topics head-on, Abdel-Fattah explores them fully and with nuance. True-to-life dialogue and realistic teen social dynamics both deepen the tension and provide levity. While Mina and Michael’s attraction seems at first unlikely, the pair’s warmth wins out, and readers will be swept up in their love story and will come away with a clearer understanding of how bias permeates the lives of those targeted by it.

A meditation on a timely subject that never forgets to put its characters and their stories first . (Fiction. 12-17)

Pub Date: May 9, 2017

ISBN: 978-1-338-11866-7

Page Count: 402

Publisher: Scholastic

Review Posted Online: Feb. 19, 2017

Kirkus Reviews Issue: March 1, 2017

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