paper 1-889330-24-8 The second book by this Rhode Island College professor everywhere proclaims its bad girl attitude: like so many poets of her tough ilk, Calbert likes to say “fuck” a lot, bids farewell to old-school feminism (—I can say “bitch” with impunity—), and boasts of her lusty past. If her resentment and anger mask her fears, she still manages to be funny—never whiney—about her unhappiness. Mocking herself as “the big zero,” she wishes in “Beyond the Power of Positive Thinking” to abandon her “negative energy” to be “free, calm and serene.” Celebrating herself as a “wild card” of a woman in “Trinity,” she wants “to get off, get even, get lucky, get laid . . . .” Calbert’s formal gestures are mostly of this kind: repetitive, alliterative, playing with prefixes and suffixes in the tradition of biblical verse and Whitman, whose catalogues she echoes in her own litanies of bad decisions (in the title poem), things to do after a tragedy, and a simple list of types of snow (—Lunatic Snow—). Having failed at love, and at understanding its language, the poet never gives up her hope for a happy marriage and children, though her poem “The Vampire Baby” suggests nothing sentimental in her desire. Godless, despite herself, she smartly locates the other vampires in our midst: a pleased and plump cat, the angels in simple-minded poems, and herself dressed in black at the beach. So quick to disabuse us of our mythologies, Calbert clings to the promise of pleasure in these “random, helpless, hapless times.” Her weakest poems, giddy with the details of her marriage, find her pleasantly surprised by love. Calbert speaks of woe and worry in patterned responses that begin to waver.
Pub Date: Feb. 1, 1999
ISBN: 1-889330-23-X
Page Count: 72
Publisher: Sarabande
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
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