THE NEW YORKERS

Comfy and inoffensive, but lacks bite.

“Love me, love my dog” might be the mantra of Schine’s warm and fuzzy seventh novel (She Is Me, 2003, etc.).

It’s a romantic-comic roundelay set on and near a quiet, genteel street in New York City’s Upper West Side, near Central Park. An amiable omniscient narrator introduces us to a neighborhood populated by urban professionals and students and favored by canines and their owners and “walkers.” We first meet music teacher Jody, who deals with the approach of her 40th year and her loneliness by adopting a gentle part–pit bull whom she names Beatrice. Enter Everett, a recently divorced, dashing 50 year old burdened by fraying relationships with his ex-wife and college student daughter—and almost awoken from his lethargic egoism by Jody’s obvious crush on him. Other humans appear, meet, mix, pair up, argue and fight, variously get together or break apart: handsome underachiever George, and his high-energy sister Polly (whose mutt Howdy is employed by George as a chick magnet); “asocial” social worker Simon, whose fixation on fox hunting (in Virginia) slowly yields to his love for Jody; gay restaurateur Jamie, who’s supporting five kids and several ex-boyfriends; intemperate guidance counselor Doris, aflame with plans for “canine reform.” So it goes, a kind of Midsummer Night’s Dream minus the energy and charm. Most of the aforementioned urbanites are moderately interesting people, though none has a tenth of the personality exhibited by Beatrice and Howdy. The novel basically spins its wheels, even during the 2003 blackout, which you’d expect might rouse its characters to some kind of action. Everett does a passable imitation of Jack Nicholson’s character in As Good as It Gets, but the narrative is otherwise very nearly as generic as it gets.

Comfy and inoffensive, but lacks bite.

Pub Date: May 1, 2007

ISBN: 978-0-374-22183-6

Page Count: 304

Publisher: Sarah Crichton/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2007

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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MAYBE SOMEDAY

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 6, 2014

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