An engaging road map for artistic expression that successfully explores the necessary routes while supporting those who are...
A debut self-help guide offers an introspective and encouraging analysis of the creative process.
This manual argues that many steps are necessary to produce a work of art—whether it’s a novel, a painting, or a performance—but those procedures are often minimized or overlooked when planning a project: “Our culture’s obsession with fame and fortune teaches us to value the products that result from creative acts more than the process itself.” Wild aims to rectify this oversight by explaining the elemental stages of a work to help artists who may be stuck at any point along the way. The underlying thesis is that the creative urge is a universal life force that demands expression: “A voice of inspiration inside each of us struggles to be heard.” The book takes the reader through an entire production cycle, breaking it into sections that dissect the process from philosophical, spiritual, and psychological perspectives. Some of the elements discussed include recognizing inspiration, overcoming obstacles, and knowing when to compromise on an artistic vision and when to stand firm. Each part ends with a series of penetrating questions for self-examination. In these pages, Wild uses an effective mix of research, quotations, and observations gleaned from clients she’s worked with as a creativity expert and life coach as well as the ups and downs she encountered getting her book written and published. Her tone is honest and sincere, with insights—such as “If you want to improve the quality of your work, separate your self-worth from the piece you have made”—that come across as authentic and hard-won. This volume reads like a personalized, guided tour of the creative process, including practical planning advice as well as warnings about unanticipated roadblocks. The intimate, first-person narration speaks directly to the reader, counseling those in the throes of creation to stick to their artistic goals rather than get thrown off track by doubts or the rigors of the projects.
An engaging road map for artistic expression that successfully explores the necessary routes while supporting those who are taking the trip.Pub Date: Feb. 7, 2017
ISBN: 978-0-9968105-0-0
Page Count: 326
Publisher: Standing Place Press
Review Posted Online: April 21, 2017
Kirkus Reviews Issue: June 1, 2017
Review Program: Kirkus Indie
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.
More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.
In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.Pub Date: March 10, 2020
ISBN: 978-1-9848-0125-8
Page Count: 352
Publisher: Dial Books
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
PROFILES
SEEN & HEARD
SEEN & HEARD
A vibrant, encouraging depiction of a sinister disorder.
A British novelist turns to autobiography to report the manifold symptoms and management of his debilitating disease, depression.
Clever author Haig (The Humans, 2013, etc.) writes brief, episodic vignettes, not of a tranquil life but of an existence of unbearable, unsustainable melancholy. Throughout his story, presented in bits frequently less than a page long (e.g., “Things you think during your 1,000th panic attack”), the author considers phases he describes in turn as Falling, Landing, Rising, Living, and, finally, simply Being with spells of depression. Haig lists markers of his unseen disease, including adolescent angst, pain, continual dread, inability to speak, hypochondria, and insomnia. He describes his frequent panic attacks and near-constant anhedonia, the inability to experience pleasure. Haig also assesses the efficacy of neuroscience, yoga, St. John’s wort, exercise, pharmaceuticals, silence, talking, walking, running, staying put, and working up the courage to do even the most seemingly mundane of tasks, like visiting the village store. Best for the author were reading, writing, and the frequent dispensing of kindnesses and love. He acknowledges particularly his debt to his then-girlfriend, now-wife. After nearly 15 years, Haig is doing better. He appreciates being alive and savors the miracle of existence. His writing is infectious though sometimes facile—and grammarians may be upset with the writer’s occasional confusion of the nominative and objective cases of personal pronouns. Less tidy and more eclectic than William Styron’s equally brief, iconic Darkness Visible, Haig’s book provides unobjectionable advice that will offer some help and succor to those who experience depression and other related illnesses. For families and friends of the afflicted, Haig’s book, like Styron’s, will provide understanding and support.
A vibrant, encouraging depiction of a sinister disorder.Pub Date: Feb. 23, 2016
ISBN: 978-0-14-312872-4
Page Count: 272
Publisher: Penguin
Review Posted Online: Nov. 3, 2015
Kirkus Reviews Issue: Nov. 15, 2015
SEEN & HEARD
Readers Donate Depression Book After Star Suicide
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