Sappy rehash of some very familiar plots.
Fluffy romance from the cute-as-a-button daughter of Ireland’s Prime Minister.
At the tender age of 22, film student Ahern pens her very first novel! The heroine: a young widow, Holly Kennedy, who discovers a batch of letters from her late husband Gerry, one for every month of the year. Yes, the posthumous postings are meant to help Holly heal, to laugh again and love again, and to remind her always to walk on the sunny side of the street, cherishing her memories and the happy future ahead (come to think of it, only a 22-year-old could write a book like this). Tra-la-la, come skip down the streets of Dublin with Holly and her chum Sharon. They spend a lot of time “laughing and joking about old times, then crying, followed by some more laughing, then more crying again.” Though still consumed by grief, Holly can see that she has dark circles under her eyes, her hair is a fright, and her lips are chewed and chapped. Maybe now it’s time to stop crying! And as she opens the first envelope to read Gerry’s letter, she realizes that tomorrow is a new day. Reassured that Gerry is looking down from heaven, she vows to follow his lighthearted, loving advice and buy that new lamp, sing in a karaoke bar, etc. And each time she opens an envelope, it seems that Gerry is just playing a happy little game with her, even though they live in two different worlds. Holly knows he’s right there, she can feel his spectral presence, she even talks to him. Of course, he’d know if she cheated at the happy little game, so she doesn’t. There are other Big Questions, though, and our Holly searches for Answers. Get a Job or Keep On Shopping? Fall in Love with A Handsome Man or Start An Exciting Career at a Fashion Magazine? Don’t worry! The ending is happy!
Sappy rehash of some very familiar plots.Pub Date: Feb. 3, 2004
ISBN: 1-4013-0090-1
Page Count: 384
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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