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P.S., I LOVE YOU

Sappy rehash of some very familiar plots.

Fluffy romance from the cute-as-a-button daughter of Ireland’s Prime Minister.

At the tender age of 22, film student Ahern pens her very first novel! The heroine: a young widow, Holly Kennedy, who discovers a batch of letters from her late husband Gerry, one for every month of the year. Yes, the posthumous postings are meant to help Holly heal, to laugh again and love again, and to remind her always to walk on the sunny side of the street, cherishing her memories and the happy future ahead (come to think of it, only a 22-year-old could write a book like this). Tra-la-la, come skip down the streets of Dublin with Holly and her chum Sharon. They spend a lot of time “laughing and joking about old times, then crying, followed by some more laughing, then more crying again.” Though still consumed by grief, Holly can see that she has dark circles under her eyes, her hair is a fright, and her lips are chewed and chapped. Maybe now it’s time to stop crying! And as she opens the first envelope to read Gerry’s letter, she realizes that tomorrow is a new day. Reassured that Gerry is looking down from heaven, she vows to follow his lighthearted, loving advice and buy that new lamp, sing in a karaoke bar, etc. And each time she opens an envelope, it seems that Gerry is just playing a happy little game with her, even though they live in two different worlds. Holly knows he’s right there, she can feel his spectral presence, she even talks to him. Of course, he’d know if she cheated at the happy little game, so she doesn’t. There are other Big Questions, though, and our Holly searches for Answers. Get a Job or Keep On Shopping? Fall in Love with A Handsome Man or Start An Exciting Career at a Fashion Magazine? Don’t worry! The ending is happy!

Sappy rehash of some very familiar plots.

Pub Date: Feb. 3, 2004

ISBN: 1-4013-0090-1

Page Count: 384

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2004

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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