by Cecelia Tichi ‧ RELEASE DATE: Sept. 1, 2015
A fruitful, well-written blend of cultural history, literary criticism, and biography. Now the only question is, where’s the...
Jack London—socialist agitator, rancher, and, oh yes, writer: an illuminating study of a literary figure long receded into stereotype.
Tichi’s (English and American Studies/Vanderbilt Univ.; Civic Passions: Seven Who Launched Progressive America (and What They Teach Us), 2009, etc.) resurrection of London and her elevation of him from writer of hoary Arctic tales for children to wizened philosopher of the barricades is certainly timely. He lived in the first Gilded Age, a time “undershot with stupendous wealth inequality, cycles of joblessness…and an imperial global presence that brought indigenous populations to heel while exploiting their natural resources.” Though London was a marquee writer whose work elevated him from want to wealth, he remained true to his working-class roots and never surrendered his vision of an America reformed to allow for a greater share for all. He conveyed this vision in sometimes heavy-handed ways, as with his late novel The Iron Heel (1908), but Tichi credits him for displaying “a certain subtlety.” London’s message rings true in such books as White Fang (1906) but never at the expense of a walloping good story. Tichi traces the growth of London’s activism as he moved from place to place, especially when he visited the South Pacific and saw predatory capitalism at work undisguised: “In boyhood he had seen the flags of distant nations flying from the masts along the Oakland waterfront….Many of those flags signified political, corporate, and military power, and the word for that nexus was ‘imperialism.’ ” Tichi also limns a London who was far more evolved than the square-jawed prizefighter and adventurer of legend, a sophisticated political thinker who brought immense learning to bear—not least on his work establishing what today we would call an organic farm not far from San Francisco, building a vast working knowledge of agriculture, construction, irrigation, and other fields.
A fruitful, well-written blend of cultural history, literary criticism, and biography. Now the only question is, where’s the Jack London of today?Pub Date: Sept. 1, 2015
ISBN: 978-1-4696-2266-8
Page Count: 304
Publisher: Univ. of North Carolina
Review Posted Online: June 27, 2015
Kirkus Reviews Issue: July 15, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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