A compelling graphic offering that explores relevant gender roles and self-identity through a historical lens.

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SOUPY LEAVES HOME

Abused by her domineering father, Pearl reinvents herself as a boy and takes to the road.

In the Depression-era United States, girls have few options, and headstrong and privileged white Pearl has a desire to learn. After her mother’s passing, Pearl is left with her grief-stricken father, who communicates with his fists rather than words. In an impulsive moment, she cuts off her hair, exchanges her fine dress for dungarees, and introduces herself as a boy named Soupy. Soupy meets Ramshackle, an elderly white hobo and a perpetual dreamer who is able to see wonder in the mundane. Ramshackle takes her under his wing and helps her navigate life as a hobo. As Ramshackle’s health declines, Soupy must decide whether she will ever reveal her true self to him. Told in graphic format, Soupy’s journey comes alive through richly color-saturated, usually monochromatic panels that orient readers to a bygone era. Castellucci has created a strong heroine who both defies conventionality and embodies empowerment; as her transformative journey nears its denouement, she makes a resolute decision: “I have to go and face my things or else I’ll never be free,” a message still highly relevant to today’s world.

A compelling graphic offering that explores relevant gender roles and self-identity through a historical lens. (Graphic historical fiction. 12 & up)

Pub Date: May 2, 2017

ISBN: 978-1-61655-431-6

Page Count: 208

Publisher: Dark Horse

Review Posted Online: Feb. 20, 2017

Kirkus Reviews Issue: March 1, 2017

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A bone-chilling tale not to be ignored by the universe.

PRISONER B-3087

If Anne Frank had been a boy, this is the story her male counterpart might have told. At least, the very beginning of this historical novel reads as such.

It is 1939, and Yanek Gruener is a 10-year old Jew in Kraków when the Nazis invade Poland. His family is forced to live with multiple other families in a tiny apartment as his beloved neighborhood of Podgórze changes from haven to ghetto in a matter of weeks. Readers will be quickly drawn into this first-person account of dwindling freedoms, daily humiliations and heart-wrenching separations from loved ones. Yet as the story darkens, it begs the age-old question of when and how to introduce children to the extremes of human brutality. Based on the true story of the life of Jack Gruener, who remarkably survived not just one, but 10 different concentration camps, this is an extraordinary, memorable and hopeful saga told in unflinching prose. While Gratz’s words and early images are geared for young people, and are less gory than some accounts, Yanek’s later experiences bear a closer resemblance to Elie Wiesel’s Night than more middle-grade offerings, such as Lois Lowry’s Number the Stars. It may well support classroom work with adult review first.

A bone-chilling tale not to be ignored by the universe. (Historical fiction. 12 & up)

Pub Date: March 1, 2013

ISBN: 978-0-545-45901-3

Page Count: 272

Publisher: Scholastic

Review Posted Online: Dec. 26, 2012

Kirkus Reviews Issue: Jan. 15, 2013

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A must-read graphic novel that is both heart-rending and beautifully hopeful.

WHITE BIRD

A WONDER STORY

A grandmother shares her story of survival as a Jew in France during World War II.

As part of a homework assignment, Julian (Auggie’s chief tormentor in Wonder, 2012) video chats with Grandmère, who finally relates her wartime story. Born Sara Blum to a comfortable French Jewish family, she is indulged by her parents, who remain in Vichy France after 1940. Then, in 1943, after the German occupation, soldiers come to Sara’s school to arrest her and the other Jewish students. Sara hides and is soon spirited away by “Tourteau,” a student that she and the others had teased because of his crablike, crutch-assisted walk after being stricken by polio. Nonetheless, Tourteau, whose real name is Julien, and his parents shelter Sara in their barn loft for the duration of the war, often at great peril but always with care and love. Palacio begins each part of her story with quotations: from Muriel Rukeyser’s poetry, Anne Frank, and George Santayana. Her digital drawings, inked by Czap, highlight facial close-ups that brilliantly depict emotions. The narrative thread, inspired by Palacio’s mother-in-law, is spellbinding. In the final pages, the titular bird, seen in previous illustrations, soars skyward and connects readers to today’s immigration tragedies. Extensive backmatter, including an afterword by Ruth Franklin, provides superb resources. Although the book is being marketed as middle-grade, the complexities of the Holocaust in Vichy France, the growing relationship between Sara and Julien, Julien’s fate, and the mutual mistrust among neighbors will be most readily appreciated by Wonder’s older graduates.

A must-read graphic novel that is both heart-rending and beautifully hopeful. (author’s note, glossary, suggested reading list, organizations and resources, bibliography, photographs) (Graphic historical fiction. 12-16)

Pub Date: Oct. 1, 2019

ISBN: 978-0-525-64553-5

Page Count: 224

Publisher: Knopf

Review Posted Online: June 23, 2019

Kirkus Reviews Issue: July 15, 2019

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